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Comedy and Critique explores British professional stand-up comedy in the wake of the Alternative Comedy movement of the late twentieth century, seeing it as an extension of the politics of the New Left: standing up for oneself as anti-racist, feminist and open to a queering of self and social institutions.
This book provides an ethnographic investigation of the white, upper-middle classes in Britain. It follows the Jack Wills brand to demonstrate how the internal economies of the brand forge a distinctive, elite social network made up of former public-school and Russell Group university students.
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