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In 1945, the American poet Ezra Pound was due to stand trial for treason for his broadcasts in Fascist Italy during the Second World War. He was also an irresistible figure and, in his cell on Chestnut Ward and in the elegant hospital grounds, he was visited by the major poets and writers of his time.
In early June 1943, James Eric Swift, a pilot with 83 Squadron of the Royal Air Force, boarded his Lancaster bomber for a night raid on M nster and disappeared.Aerial bombardment was to the Second World War what the trenches were to the First: a shocking and new form of warfare, wretched and unexpected, and carried out at a terrible scale of loss. Just as the trenches produced the most remarkable poetry of the First World War, so too did the bombing campaigns foster a haunting set of poems during the Second.In researching the life of his grandfather, Daniel Swift became engrossed in the connections between air war and poetry. Ostensibly a narrative of the author's search for his lost grandfather through military and civilian archives and in interviews conducted in the Netherlands, Germany and England, Bomber County is also an examination of the relationship between the bombing campaigns of the Second World War and poetry, an investigation into the experience of bombing and being bombed, and a powerful reckoning with the morals and literature of a vanished moment.
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