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Focusing on twenty-one key films, this book involves an inclusive and sensitive approach. It reveals an awareness of the heterogeneity of horror production with the discussion spanning the period of the invention of movies, the expansion from single-reelers to longer and continuous productions, and the advent of talkies.
An adventurous and wide-ranging survey of Gothic media, this book investigates everything from oil paintings to album cover art, magic lanterns to video games. -- .
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