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'Life being what it is, one dreams of revenge.'Gauguin's aphorism serves as the motto for this morality tale of two women, both in their sixties, whose lives are interwoven in ways neither of them yet understand. Madeline Palmer is a retired curator, living alone on the Isle of Wight. One day to her door comes Angela Beale, a woman she has met only once, who is now enjoying sudden success, late in life, as a popular novelist. The progress of a single night comes fascinatingly to echo the hidden course of their lives.
It is 1979. Esme Allen is a well-known West End actress at just the moment when the West End is ceasing to offer actors a regular way of life. The visit of her young daughter, Amy, with a new boyfriend sets in train a series of events which only find their shape eighteen years later. A generational play about the long term struggle between a strong mother and her loving daughter, Amy's View mixes love, death and the theatre in a way which is both heady and original.
'My whole life, it's been assumed, Western civilisation is an old bitch gone in the teeth. And so people say, go to Israel. Because in Israel at least people are fighting. In Israel, they're fighting for something they believe in.' Via DolorosaIn 1997, after many invitations, the 50-year-old British playwright resolved finally to visit the 50-year-old State of Israel. The resulting play, written to be performed by the author himself, offers a meditation on an extraordinary trip to both Israel and the Palestinian territory, which leaves Hare questioning his own values as searchingly as the powerful beliefs of those he met. Accompanying Via Dolorosa is the 1996 lecture When Shall We Live?, which also addresses questions of art and faith. Originally given in Westminster Abbey as the Eric Symes Memorial Lecture, it attracted record correspondence when an abridged version was published in the Daily Telegraph.
This first volume of David Hare's plays contains his work from the 1970s, including his landmark play of that decade, Plenty, charting the development of 'one of the great post-war British playwrights' (Independent on Sunday).The volume also includes the plays Slag, Teeth 'n' Smiles, Knuckle and Licking Hitler, and is introduced by the author.
This second volume of plays by David Hare contains work from the 1970s and 1980s which confirmed him as one of the major contemporary playwrights in the English language. It includes Fanshen, his remarkable 1975 play which focused on the Chinese Revolution with Brechtian subtlety, his screenplay for Saigon: Year of the Cat, The Secret Rapture, his biting portrait of a family in crisis, and the plays A Map of the World and The Bay at Nice. The collection is introduced by the author.
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