Books by David Housewright

Since becoming an unlikely millionaire and quitting the St. Paul Police Department, Rushmore McKenzie has been working as an unlicensed private investigator, basically doing favors for friends and people in need. But even for him, this latest job is unusual. He's been asked to find a stolen Stradivarius, known as the Countess Borromeo, that only the violinist seems to want him to find. Stolen from a locked room in a B&B in the violinist's former hometown of Bayfield, Wisconsin, the violin is valued at $4 million and is virtually irreplaceable. But the foundation that owns it and their insurance company refuses to pay the thief (or thieves) for its safe return. However, Paul Duclos, the violinist who has played it for the past twelve years, is desperate to get it back and offers to pay the thief out of his own pocket. Though it's not his usual sort of case, McKenzie is intrigued and decides to help, which means going against the local police, the insurance company, the FBI's Art Crime division, and his own lawyer's advice. And, as he quickly learns, there's a lot more going on than the mere theft of a priceless instrument. Praise for STEALING THE COUNTESS: "A Stradivarius goes missing and all hell breaks loose in the thirteenth entry in Edgar-winning Housewright's very strong Rushmore McKenzie series... Though the novels are loosely based in Minneapolis/St. Paul, the series makes great use of the variegated landscapes-filled with opportunities for crime and escape-of Minnesota and Wisconsin... Greatly enhancing the story are the fascinating details Housewright provides on the history and design of these priceless instruments." -Booklist, starred review "The brazen theft of a Stradivarius violin known as the Countess Borromeo, valued at $4 million, provides Rushmore McKenzie with some ethical challenges in Housewright's entertaining 13th mystery featuring the unlicensed St. Paul, Minn., PI (after 2015's Unidentified Woman #15)... The charming lead enhances the crime puzzle, which is both complex and logical." -Publishers Weekly

During one of the first heavy snows of the winter, on the interstate outside the Twin Cities, Rushmore McKenzie is trapped behind an erratically-driven truck. Then a figure appears on the truck bed and a body is rolled out onto the road, right in front of McKenzie''s car. McKenzie avoids hitting the body, a bound woman who is barely alive, but his sudden braking in the middle of the highway starts a chain of accidents, resulting in a thirty-seven car pile-up. By the time the police arrive, and the EMTs and ambulances have taken care of the immediate injuries, the truck is long gone. <br><br>The injured woman awakens with no memories-not of the accident, not of anything-and is now referred to by the police as Unidentified Woman #15. With few leads, the detective in charge, McKenzie''s former partner and old friend Bobby Dunston, turns to McKenzie for a favor. Not that a favor is required, because when you dump a person in front of McKenzie''s moving car, he tends to take that personally. <br><br>Praise for UNIDENTIFIED WOMAN #15: <br><br>"Housewright, winner of the prestigious national Edgar Award and three Minnesota Book Awards, strikes a perfect balance between fast-paced excitement as McKenzie chases the bad guys and his commitment to bar-owner Nina as they try to work out the nuances of their relationship since moving in together. All previous McKenzie thrillers earned high praise from critics, including several starred reviews, but in <i>Unidentified Woman #15</i> McKenzie comes alive as never before. It''s as though Housewright got a surge of energy that lets us into Mac''s mind so we know him even more intimately. And with a 12th book in a series, that''s a fine thing." -<i>St. Paul Pioneer Press</i> <br><br>"Housewright''s prose style is reminiscent of Donald E. Westlake''s: smoothly flowing, graceful, but never calling attention to itself. Rushmore is an amiable series lead... A strong addition to an always-reliable series, and a crime novel that will appeal both to readers looking for complex characters and satisfying style and to those interested mainly in story." -<i>Booklist</i> <br><br>"Take a well-written noir and mix it with humor and readers will anticipate this 12th series outing (after <i>The Devil May Care</i>), especially if they appreciate mysteries with a strong sense of place and an appealing sleuth who is still figuring out what to do with himself after leaving the police force. A solid choice for fans of Steve Hamilton, Dennis Lehane, or James Lee Burke." -<i>Library Journal</i> <br><br>"Unidentified woman #15 has no memory when she regains consciousness, but she believes the world is exactly the kind of ''place where sooner or later'' someone rolls ''you off the back of a speeding pickup truck.'' And here''s why I love McKenzie so much. Although he sees the world in a cynical way, he still tilts at windmills and fires stones from his slingshot. Housewright''s novels render the Twin Cities in familiar detail while helping us see things differently." -<i>Minneapolis StarTribune</i>

A past case comes back to haunt Minnesota P.I. McKenzie as a stolen sum of money threatens to resurface.

Daring thieves steal the 200-year-old Jade Lily from a Minneapolis art museum and then offer to sell it back for one-third of its insured value—$1,300,000. But there’s a catch. They demand that unlicensed P. I. Rushmore McKenzie act as go-between. McKenzie reluctantly agrees partly out of curiosity—why did the thieves pick him to deliver the ransom?—and partly because he feels he owes a favor to the insurance company that made him a millionaire years earlier.But when McKenzie makes contact with the thieves, he is bound, gagged and tossed in the back of a speeding van. It turns out there is a wide circle of misbegotten scoundrels who want the Lily for themselves, including a Bosnian thug, the U. S. State Department, a crooked cop, and a fortune hunter out of McKenzie’s past. The game soon turns dark and violent and as the bodies start piling up, McKenzie comes to believe the truth of the Jade Lily’s curse—terrible death follows anyone who touches it.Praise for CURSE OF THE JADE LILY:“McKenzie, who navigates a treacherous path just to stay (barely) alive, not only delivers a Nick Charles-like ending but metes out poetic justice to a fair number of participants.” —Publishers Weekly, stared review“Like the other entries in this entertaining series, the book is a contemporary mystery with overtones from the era of classic hard-boiled detectives: the Jade Lily itself, with its perhaps not so mythical curse; the first-person narration; the wonderfully named femme fatale, Heavenly Petryk. Rushmore is a likable series hero, a guy who’d rather be doing not much of anything but who won’t back down from a fight. The book works as a stand-alone, too, so readers unfamiliar with the series can jump right in.” —Booklist“The latest McKenzie mystery is a wonderful thriller... Filled with humor and a strong cast...this is a fast-paced winner...” —The Mystery Gazette“Housewright’s wit is every bit as sharp as (Robert B.) Parker’s, and as I read along, I was chuckling to myself over bits of dialogue and acerbic observations on McKenzie’s part... (It) has the snap and crackle of great storytelling. I can’t think of a better way to spend a couple of evenings than curled up with a new David Housewright novel. Check it out for yourself” —Killer Books

Rushmore McKenzie is a former cop, current millionaire, and an occasional unlicensed P.I. who does favors for friends. Yet he has reservations when the daughter of his girlfriend Nina Truhler asks him to help her father, Nina’s ex-husband Jason Truhler, a man in serious trouble.En route to a Canadian blues festival on Highway 61, he met a girl, blacked out, and awoke hours later in a strange motel room with the girl’s murdered body on the floor. Slipping away unnoticed and heading home, he thought he got away with it—until he started getting texts with photos of the body and demands for blackmail money he couldn’t afford to pay.McKenzie soon discovers that Truhler was set up in a modified honey trap. But Truhler’s version of events wasn’t exactly the truth, either. And McKenzie soon finds himself trapped in the middle of a very serious game involving teenage prostitution with some of the most powerful men in the state on one side and some of the deadliest on the other.Praise for HIGHWAY 61:“Rushmore McKenzie agrees to help Jason Truhler, the ex-husband of his lover, Nina Truhler, in Housewright’s solid eighth novel featuring the Twin Cities ex-cop who occasionally does ‘favors’ for friends. Jason appears to be the victim of a variation on the badger game when he attended the Thunder Bay Blues Festival in Ontario. He woke the next morning in a cheap hotel room, naked, with a dead girl on the floor, lots of blood, and no memory—now he’s being blackmailed for murder. Trying to unravel the scam leads McKenzie into a morass involving an Internet sex ring, drug dealers, a pair of thugs called Big Joe and Little Joe Stippel, arsonists called Backdraft and Bug, and some of the Twin Cities’ most powerful people. The tenacious McKenzie bounces between cops, bad guys, and movers and shakers with a tenuous hold on legalities but a good grasp on ethics.” —Publisher’s Weekly“In his latest favor (see The Taking of Libbie, SD), Rushmore McKenzie is at his best as he muses over the outcome of good intentions in a caper that is too close to home. The story line is fast-paced as the hero figures out the motel game, but unprepared for the truth about Truhler. Instead of case closed, McKenzie finds deadly felons with ugly intent and even more lethal powerhouses with uglier intent targeting him. Readers will think twice before venturing on Highway 61.” —Mystery Gazette“As the title would suggest, this novel proves to be one of author David Housewright’s most fast-paced endeavors. The author consistently creates top-grade, expertly written mysteries. There’s much to like about the delectably smart-alecky Rushmore McKenzie and his insider’s take on The Cities. He’s the kind of guy whom many women would like to date, and whom many men would like to have as a friend. After all, he’s big on the favors.” —Shine from Yahoo

Frank “Jelly” Nash was dead. And since the notorious bank robber was shot in the head in 1933 during a daring escape attempt, he was deader than most. So why was he sending letters and emails to Rushmore McKenzie, asking the retired cop, unexpected millionaire, and unlicensed P.I. for help?To answer the question, McKenzie joins forces with Ivy, a beautiful woman from his past—and her boyfriend—in a frantic search for $8 million in gold that Jelly stole just before his death. But they aren’t the only ones looking. So are a couple of two-bit thugs, a woman named Heavenly, a local big-wig with much to hide, and an odd assortment of ne’er-do-wells.The search delves deeply into St. Paul, Minnesota’s colorful and infamous past as the treasure-seekers scurry for clues. In the early 20th century, St. Paul was an open city—a place where gangsters could come and stay unmolested by the local authorities as long as they committed no crimes within the city limits. John Dillinger, Bugsy Siegel, Ma Barker’s murderous brood, Alvin “Creepy” Karpis, Machine Gun Kelly, Pretty Boy Floyd, notorious gunman Vern Miller, and yes, Frank Nash, were often spotted frequenting the city’s clubs and casinos, and their activities are carefully examined as the rivals dual each other.The treasure hunt turns unexpectedly deadly when the boyfriend is shot dead outside of Ivy’s apartment. Suddenly, McKenzie is looking for more than a legendary stash from seventy-five years ago, he’s looking for a stone killer and the long-hidden truth behind Jelly’s gold.Praise for JELLY’S GOLD:“In Edgar-winner Housewright’s enjoyable sixth novel to feature Rushmore McKenzie readers get a dual treat as the likable PI deals with a parade of present-day sharpies and gold hunters, while Housewright retells the story of the wholesale corruption that for decades made St. Paul a playground for a who’s who of gangsters, including John Dillinger, Baby Face Nelson and others who hobnobbed with St. Paul’s upper crust.” —Publishers Weekly“Housewright not only writes a compelling historical mystery here, but also engages in reconstructive history, using contemporary accounts to trace Nash’s movements in 1933. He also employs a nifty device to bring the history into the novel, careening between McKenzie and other seekers of the prize and Nash’s own words cast into fictional form. Readers will learn a great deal of fascinating information, including the fact that Nash’s nickname Jelly stands for his favorite safecracking device, nitroglycerin. Top notch.” —Booklist, starred review“A clever entertainment driven by an amiable protagonist—Housewright’s best in quite a while.” —Kirkus Reviews“If you haven’t discovered Housewright, you’re in for a real treat—this is a real gem from one of America’s best crime novelists.” —Lansing State Journal

Homicide cop Bobby Dunston's daughter has been kidnapped, taken in broad daylight on a city street in the middle of September. The kidnappers demand a million dollars and force Dunston to get the ransom from his friend Rushmore McKenzie. It soon becomes apparent to both of them that one of the kidnappers is childhood pal Scottie, a once aspiring drummer now gone astray, and that the kidnapping is payback for "crimes" they committed in their past.Of course McKenzie, a former cop and now unlicensed P.I., handles the ransom drop-off and the child is returned safely. But Scottie is soon brutally murdered (maybe that's Mac's fault and maybe it isn't) and someone takes out an open contract on McKenzie, using his own money to pay for it. Dodging attempts on his life from assassins of all shapes and sizes, McKenzie now has precious little time to uncover the mastermind behind it all if he's going to survive.Praise for MADMAN ON A DRUM:"Hate, revenge and old-fashioned greed propel Edgar-winner Housewright's stellar fifth mystery to feature former St. Paul, Minn., cop Rushmore McKenzie. Housewright's chivalric noir hero never fails to charm, whether mourning a St. Paul that's lost much of its colorful, if shady, past or busting a bestial dogfight entrepreneur out in the chilly countryside. Against a realistic Minnesota backdrop, this homage to Mickey Spillane's Mike Hammer raises cutting questions about crime and punishment and today's price of friendship and loyalty. Of course, McKenzie knows it's all about money, but Housewright makes it so fresh and real it hurts." -Publishers Weekly, starred review"Housewright returns with another noir-tinged mystery starring St. Paul detective Rushmore McKenzie. Lots of narrative momentum and exciting scenes." -Booklist"McKenzie's subtle humor keeps the tension from boiling over, but don't expect any breaks in the action." -Minnesota Monthly

McKenzie has a lot of old girlfriends. But only one went on to marry the current governor of the state of Minnesota. And only one is calling him with a desperate request to meet in secret. The First Lady is carrying an email that contains a nasty rumor about her husband, and the truth is buried decades deep in a small town's history.Of course McKenzie always has plenty of time on his hands and is in the business of handling such matters for his friends. So he heads straight into the governor's past, planning to poke around and see if he can stir up a little information. Before long, someone starts poking him back, and it's clear that he has stirred up nothing but trouble. McKenzie is soon shifting through a complex web of interlocking secrets and lies, some decades-old, and some rooted violently in the present day.Praise for PRETTY GIRL GONE:"Housewright's unapologetically flawed hero charms, while the clean plot lines, palpable Minnesota winter and understated humor make this a good, satisfying read." -Publishers Weekly"This is the third McKenzie mystery, and it's turning into quite an interesting series: solid premise, tight plotting, and this time more depth in character development, as Housewright explores McKenzie's emotional side." -Booklist"Pretty Girl Gone is an incredible addition to 'Cold Case' mysteries, joining the likes of recent books by Michael Connelly, KJ Erickson, Mary Logue, and Reed Farrell Coleman. Housewright artfully portrays the hopelessness of a group of men who's defining moment happened when they were teenager's; of pitiful lives spent chasing a memory soured by tragedy and deceit... McKenzie is an entertaining and engaging character, and in this, the 3rd novel in the series (following A Hard Ticket Home and Tin City), appears all too human... Pretty Girl Gone is a complex, thoroughly enjoyable addition to what is becoming one of our favorite mystery series." -CrimeSpree Magazine"(Housewright is one) of Minnesota's most dependable practitioners of the craft... McKenzie is good company...with a wry sense of humor, often aimed at himself, and a quick, accurate take on people and places. While certainly not an errant knight in the tradition of Raymond Chandler and Robert B. Parker, he's a good man who's wise enough to know that he will disappoint himself." -Minneapolis Star Tribune

Ten remarkably diverse short stories filled with scheming characters, unexpected twists, and writing that'll sneak up on you from the Edgar Award winning crime novelist. "A good short story is like a punch from a prize fighter-it comes at you fast, delivers an impact, and leaves you stunned. There's no one in our business who does this better than David Housewright. In great story after great story, he proves himself a master of the art of short fiction. This is a collection that should be on every reader's bookshelf." -William Kent Krueger, NY Times Bestselling Author of the Cork O'Connor series A reformed newspaper reporter and ad man, David Housewright has published 16 crime novels including PENANCE (winner 1996 Edgar Award for Best First Novel from the Mystery Writers of America), and PRACTICE TO DECEIVE, JELLY'S GOLD, and CURSE OF THE JADE LILY-all winners of the Minnesota Book Award. He was elected President of the Private Eye Writers of America in 2014.