Books by David Lodge

'The mind is a time machine that travels backwards in memory and forwards in prophecy, but he has done with prophecy now...'Sequestered in his blitz-battered Regent's Park house in 1944, the ailing Herbert George Wells, 'H.G.' to his family and friends, looks back on a life crowded with incident, books, and women.

In this entertaining and enlightening collection David Lodge considers the art of fiction under a wide range of headings, drawing on writers as diverse as Henry James, Martin Amis, Jane Austen and James Joyce.

'One of the very best English comic novelists of the post-war era' Time OutThe plot lines of The Campus Trilogy, radiating from its hub at the redbrick University of Rummidge, trace the comic adventures of academics who move outside familiar territory.

David Lodge's frank and illuminating memoir about the years where he found great success as a novelist and critic. Anyone who is interested in learning about the creative process, about the dual nature of the novel as both work of art and commodity, will find Writer's Luck a candid and entertaining guide.

Helen Reed, a novelist in her early forties, still grieving for her husband who died suddenly a year before, is a visiting teacher of creative writing at a university where Ralph Messenger, a cognitive scientist with a special interest in Artificial Intelligence and an incorrigible womaniser, is director of a prestigious research institute.

In this title, David Lodge explores the representation of human consciousness in fiction, mainly English and American, in the light of developments in cognitive science, neuroscience and related disciplines. He includes essays on Charles Dickens, E.M. Forster, John Updike, Henry James and others.

In his astutely observed first novel, David Lodge ushers in a congregation of characters whose hopes, confusions and foibles play out alongside the celluloid fantasies of the silver screen.

'I drew my first breath on the 28th of January 1935, which was quite a good time for a future writer to be born in England...' The only child in a lower-middle-class London family, David Lodge inherited his artistic genes from his musician father and his Catholic faith from his Irish-Belgian mother.

Writing about real lives takes various forms, which overlap and may be combined with each other: biography, autobiography, biographical criticism, biographical fiction, memoir, confession, diary. In these essays, the author considers some particularly interesting examples of life-writing, and contributes several of his own.

Adrian Ludlow, a novelist with a distinguished reputation and a book on the 'A' level syllabus, is now seeking obscurity in a cottage beneath the Gatwick flight path.

As Tubby's life fragments under the weight of his self-obsession, he embarks - via Kierkegaard, strange beds from Rummidge to Tenerife to Beverly Hills, a fit of literary integrity and memories of his 1950s South London boyhood - on a picaresque quest for his lost contentment.

Philip Swallow, Morris Zapp, Persse McGarrigle and the lovely Angelica are the jet-propelled academics who are on the move, in the air and on the make in David Lodge's satirical Small World.

When Philip Swallow and Professor Morris Zapp participate in their universities' Anglo-American exchange scheme, the Fates play a hand, and each academic finds himself enmeshed in the life of his counterpart on the opposite side of the Atlantic.

Surrounded by quarrelling honeymooners, a freeloading anthropologist and assorted tourists in search of their own personal paradise, and with his father whisked off to hospital after an unfortunate accident, Bernard is beginning to regret ever coming to Haiwaii.

First published in 1965, it tells the story of hapless, scooter-riding young research student Adam Appleby, who is trying to write his thesis but is constantly distracted - not least by the fact that, as Catholics in the 1960s, he and his wife must rely on 'Vatican roulette' to avoid a fourth child.

Polly, Dennis, Angela, Adrian and the rest are bound to lose their spiritual innocence as well as their virginities on the journey between university in the 1950s and the marriages, families, careers and deaths that follow.

Now including a new introduction from the author, this major work from one of England's finest living writers is essential reading for all those who care about the creation and appreciation of literature.

Traces the conception, writing and publication of the author's book. This work offers psychological and literary insights which suggests nothing less than a short story by the Great Master, Henry James, himself.

Twentieth-Century Literary Criticism is an anthology of key representative works by fifty leading modern literary critics writing before the structuralist revolution. The critics collected together in this volume have been drawn from England, America and Europe, and each essay has been prefaced by an editor's introduction.

Three new essays have been added in this new edition, reflecting new critical approaches such as feminism and deconstruction. The new material complements the classic studies by critics such as Arnold Kettle and Lionel Trilling.