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This book proposes a new and provocative reading of the clinical and political work of Frantz Fanon, the Martinican psychiatrist and revolutionary.
Examines the complex interplay between racial fears and anxieties and the political-visual cultures of suspicion and state terror. This work helps readers to consider how media technologies are ""haunted"" by the phantom of racial slavery. It is an exploration of the legacies of black visual culture and the political, deeply sexualized violence.
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