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Mayernik argues that it was the absence of a coherent understanding of emulation that fostered the fissuring of artistic production in the later eighteenth century into those devoted to copying the past and those interested in continual novelty, a situation solidified over the course of the nineteenth century and mostly taken for granted today.
"For Italian city builders more than a thousand years ago, the urban realm was the great theater where their best aspirations were played out, the place where society said the most substantial things a"
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