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Volume two continues the survey through the gothic writing of the twentienth century, it includes a new chapter on film and post-war fiction, and a detailed examination of the development of a 'culture of horror'.
This volume covers the period from 1765 up to the Edwardian age, exploring the richness and literary diversity of the gothic form: from the original eighteenth-century gothic of Ann Radcliffe to the melodramatic fiction of Wilkie Collins.
This book brings together fourteen of the most ambitious and thought-provoking recent essays by David Punter, who has been writing on the Gothic to academic and general acclaim for over thirty years. Punter addresses developments in Gothic writing and Gothic criticism since the mid-eighteenth century, by isolating and discussing specific themes and scenarios that have remained relevant to literary and philosophical discussion over the decades and centuries, and also by paying close attention to the motifs, figures and recurrences that loom so large in twenty-first-century engagements with the Gothic. This book, while engaging deeply with Gothic history, constantly addresses our continuing immediate encounters with Gothic tropes - the vampire, the zombie, the phantom, the living dead.
This exciting volume in the Transitions series explores both history and contemporary ideas, pushing forward the boundaries of what we understand by 'modernity'. This book is distinguished from its competitors by its clear focus on close readings of commonly-studied texts and a strict policy on writing for an undergraduate readership.
This book traces an entire history of pity, as an emotion and as an element in the arts, engaging as it does so with a wealth of theoretical ideas including Freud, Derrida, Levinas and others.
York Notes Advanced offer a fresh and accessible approach to English Literature. This market-leading series has been completely updated to meet the needs of today's A-level and undergraduate students. Written by established literature experts, York Notes Advanced intorduce students to more sophisticated analysis, a range of critical perspectives and wider contexts.
This New Casebook contains ten essays written about Blake's poetry since 1970 selected to show the diversity of Blake criticism during the last twenty years and the ways in which contemporary critical theories open up new readings of his work.
Uses the works of authors from Plato to Iain Banks to explore writing and the passions in thought and literature. Topics addressed in the book include the meaning of crime passionnel, art, passion and ceremonial, adoration and abjection, and the nature of the exotic.
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