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This book analyzes what many critics consider to be the three best examples of modern American political fiction-Robert Penn Warren's All the King's Men, Edwin O'Connor's The Last Hurrah, and Billy Lee Brammer's The Gay Place-to address a specific problem in American governance.
The author studies the woman behind her public image as a natural, wholesome, even saintly person, an image carefully crafted by Bergman's first producer David O. Selznick. Bergman hid behind that image to live her life on her own terms. That life included three difficult marriages, numerous lovers, and a major scandal that stained her reputation but which she survived by creating her own legend.
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