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With technical language kept to a minimum, David Tunley focuses upon Couperin's concept of the 'perfection of music' through the union of French and Italian musical styles in the 17th and early 18th centuries.
This title recognises the musical trends and fashions in the French capital between 1830 and 1870. Starting with the musical salons, the book also discusses the public recitals and the wider context of the historical events in Paris at the time.
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