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David Wiles argues that the prolific Robin Hood plays of the fifteenth and sixteenth centuries were the Spring equivalent of the Christmas mumming tradition.
In this detailed analysis of the contentions and techniques of performance which characterised the Greek theatre of Menander and subsequent Roman theatre. David Wiles offers a radical new approach to reading play texts. He identifies the mask as crucial to the actor's art and examines other main elements which audiences learned to decode.
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