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The director of the Design Museum defines the greatest artefact of all time: the cityWe live in a world that is now predominantly urban. So how do we define the city as it evolves in the twenty-first century? Drawing examples from across the globe, Deyan Sudjic decodes the underlying forces that shape our cities, such as resources and land, to the ideas that shape conscious elements of design, whether of buildings or of space. Erudite and entertaining, he considers the differences between capital cities and the rest to understand why it is that we often feel more comfortable in our identities as Londoners, Muscovites, or Mumbaikars than in our national identities.
The first biography to trace the remarkable life and career of Boris Iofan, beautifully illustrated with many of Iofan's previously unseen sketchbooks and photographs from private collections. This is a history of architecture, politics and power. Boris Iofan (1891-1976) made his mark as Stalin's architect, both in the grand projects he achieved, such as the House on the Embankment, a megastructure of 505 homes for the Soviet elite, and through his unbuilt designs, in particular the Palace of the Soviets, a baroque Stalinist dream whose iconic image was reproduced throughout the Soviet Union. Iofan's life and designs offer a unique perspective into the politics of twentieth-century architecture and the history of the Soviet Union.
The incredible life story of one of the 20th century's most important designers, who knew everyone from Hemingway to Picasso.
This book is not a dictionary, though it tells you all you need know about everything from Authenticity to Zips. It's not an autobiography, though it does offer a revealing and highly personal inside view of contemporary culture.It's an essential tool kit for understanding the modern world. It's about what makes a Warhol a genuine fake; the creation of national identities; the mania to collect. It's also about the world seen from the rear view mirror of Grand Theft Auto V; digital ornament and why we value imperfection. It's about drinking a bruisingly dry martini in Adolf Loo's American bar in Vienna, and about Hitchcock's film sets. It's about fashion and technology, about politics and art.
The Edifice Complex explores the intimate and inextricable relationship between power, money and architecture in the twentieth century. How and why have presidents, prime ministers, mayors, millionaires and bishops come to share such a fascination with grand designs? From Blair to Mitterrand, from Hitler to Stalin to Saddam Hussein, architecture has become an end in itself, as well as a means to an end. This is a book of genuine timeliness, throwing new light on the motivations of the rich and powerful around the world - and on the ways they seek to affect us.
We live in a world drowning in objects. But what do they tell us about ourselves?In The Language of Things, Deyan Sudjic charts our relationship - both innocent and knowing - with all things designed. From the opulent excesses of the catwalk, or the technical brilliance of a laptop computer, to the subtle refinement of a desk lamp, he shows how we can be manipulated and seduced by our possessions.Sudjic delivers an exhilarating insider s history of design as he introduces us to the world's most original innovators and reveals the hidden meanings in their work. How did the design of a pistol influence a car? Why did a chair make a cafe the most fashionable place in Paris? What can we learn from a banknote, a police uniform or a typeface? And why can't any of us decide what size to wear our trousers? In an age when the word designer has become synonymous with the cynical and manipulative, Sudjic examines the qualities behind successful design and explores the conflicting tensions between high art and mass production.Brilliant and courageous, The Language of Things defines the visual vocabulary of our time and gives us a powerful new way of seeing the world.
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