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Through a textual analysis of six filmmakers (Alejandro Gonzalez Inarritu, Alfonso Cuaron, Guillermo del Toro, Fernando Meirelles, Walter Salles and Juan Jose Campanella), this book brings a new perspective to the films of Latin America's transnational auteurs.
This book incorporates the Latin America/Hollywood and Indiewood vector of filmmaking into its study of the region's transnationalized filmmaking, using textual analysis and industrial case studies.
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