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This is the first fully annotated, single-volume critical edition of Fletcher and Massinger's The False One, with an introduction that offers new insights on the date and the theatre of the play's first performance, freshly examines its sources and explores the theatrical potential of a play that has hitherto been lost to the dramatic repertory. -- .
Examines Fletcher's Roman plays and identifies disorientation as the unifying principle of his portrayal of imperial Rome. The book sheds new light on his intellectual life by arguing that his dramatization of Rome exudes a sense of scepticism over the authority of Roman models resulting from his irreverent approach to the classics. -- .
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