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When several valuable antiquarian books go missing from a prestigious library in the heart of Venice, Commissario Brunetti is immediately called to the scene. The staff suspect an American researcher has stolen them, but for Brunetti something doesn't quite add up.
In his many years as a Commissario, Guido Brunetti has seen all manner of crime and known intuitively how to navigate the various pathways in his native Venice to discover the person responsible.
A suspicious accident draws Brunetti into Venice's underworld - with unintended, disturbing consequences... A few weeks later, Tullio Gasparini, the woman's husband, is found unconscious with a serious head injury at the foot of a bridge, and Brunetti is drawn to pursue a possible connection to the boy's behaviour.
Caterina Pellegrini is a young Venetian musicologist hired to find the rightful heir to an alleged treasure concealed by a once-famous, but now almost forgotten, baroque composer. Sworn to secrecy, Caterina can solve the mystery only by searching through the papers contained in two chests that have not been opened for centuries.
For Commissario Guido Brunetti it began with an early morning phone call. A sudden act of vandalism has just been committed in the chill Venetian dawn, a rock thrown in anger through the window of a building in the deserted city. But soon Brunetti finds out that the perpetrator is no petty criminal intent on some annoying anonymous act.
Then something very incriminating is discovered in the dead man's flat - something which points to the existence of a high-level cabal - and Brunetti becomes convinced that somebody, somewhere, is taking great pains to provide a ready-made solution to the crime ...
In The Waters of Eternal Youth, the twenty-fifth instalment in the bestselling Brunetti series, our Commissario finds himself drawn into a case that may not be a crime at all.
In Death at La Fenice, Donna Leon's first novel in the Commissario Brunetti series, readers were introduced to the glamorous and cut-throat world of opera and to one of Italy's finest living sopranos, Flavia Petrelli - then a suspect in the poisoning of a renowned German conductor.
Granted leave from the Questura, Commissario Guido Brunetti decides to finally take a well-earned break and visit Sant'Erasmo, one of the largest islands in the Venetian laguna.
When a body is found floating in a canal, strangely disfigured and with multiple stab wounds, Commissario Brunetti is called to investigate and is convinced he recognises the man from somewhere.
When Anna Maria Giusti returns from holiday to find her elderly neighbour Constanza Altavilla dead, with blood on the floor near her head, she immediately alerts the police. Commissario Brunetti is called to the scene and it seems the woman has suffered a fatal heart attack.
He's charmed - perhaps too charmed, suggests his wife Paola - by her love of Virgil and Cicero, but shocked by her appearance. He believes the man's death is connected to the illegal transportation of refuse - and more sinister material - in his company's trucks.
When Commissario Brunetti is summoned to the hospital bedside of a senior paediatrician whose skull has been brutally fractured, he is confronted with more questions than answers.
When one of his wife Paola's students comes to visit him, with a strange and vague interest in investigating the possibility of a pardon for a crime committed by her grandfather many years ago, Commissario Brunetti thinks little of it, beyond being intrigued and attracted by the girl's intelligence and moral seriousness.
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