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Illuminating the religious and existential themes in Stephen King''s horror stories Who are we? Why are we here? Where do we go when we die? For answers to these questions, people often look to religion. But religion is not the only place seekers turn. Myths, legends, and other stories have given us alternative ways to address the fundamental quandaries of existence. Horror stories, in particular, with their focus on questions of violence and mortality, speak urgently to the primal fears embedded in such existential mysteries. With more than fifty novels to his name, and hundreds of millions of copies sold, few writers have spent more time contemplating those fears than Stephen King. Yet despite being one of the most widely read authors of all time, King is woefully understudied. America''s Dark Theologian is the first in-depth investigation into how King treats religion in his horror fiction. Considering works such as Carrie, The Dead Zone, Misery, The Shining, and many more, Douglas Cowan explores the religious imagery, themes, characters, and, most importantly, questions that haunt Stephen King''s horror stories. Religion and its trappings are found throughout King''s fiction, but what Cowan reveals is a writer skeptical of the certainty of religious belief. Describing himself as a "fallen away" Methodist, King is less concerned with providing answers to our questions, than constantly challenging both those who claim to have answers and the answers they proclaim. Whether he is pondering the existence of other worlds, exploring the origins of religious belief and how it is passed on, probing the nature of the religious experience, or contemplating the existence of God, King invites us to question everything we think we know.
Over the past few decades, mainline Protestant denominations in North America have been experiencing a significant decline in membership, active participation, and financial contributions. In the midst of this decline, these denominations have been caught up in a variety of controversial religious, ecclesiastical, and social issues-a shift from neo-orthodox to liberal theology, the advent of inclusive liturgical and biblical language, denominational support for often controversial social issues, and heated debates around human sexuality, particularly the place of homosexuals in the church. To address these issues and concerns, and to recapture the traditionalism many feel their churches have abandoned, the remnant faithful, those who choose to stay in their churches, have formed a number of reform and renewal movements. Cowan examines these emergent social movements, providing anecdotal and lively examples of their activities, their arguments, their identities, and their approaches to strengthening their churches.Rather than leave denominations which they regard as increasingly hostile to theological and ecclesiastical traditionalism, many mainline Protestants have chosen to stay and fight for their churches, forming reform and renewal movements intended to address hot-button issues in the way their churches function and practice. These conservative reform movements, however, are often vilified by their more liberal co-religionists, and not infrequently regarded as theologically immature, doctrinally stagnant, and ecclesiastically belligerent. The Remnant Spirit demonstrates that these are simplistic and reductivist analyses that only serve to avoid the very issues around which reform movements emerge and evolve. The author provides an in-depth examination of four major North American denominations, and the various conservative reform and renewal movements taking place in each, while acknowledging that every mainline Protestant Church in the U.S. and Canada is contending with similar issues and addressing them in similar fashions. Here, the voices of the remnant faithful, those that contribute to denominational discussions as they are experienced by ordinary church members and leaders alike, are presented and discussed in a thoughtful and lively manner.
Argues that science fiction is the genre of possibility and hope, a principal canvas on which writers, artists, and filmmakers have sketched their visions of transcendent potential for generations. Doug Cowan leads readers in a compelling exploration of how this transcendence is manifested in science-fiction cinema and television of today.
For the emerging world of contemporary Neopaganism the Internet is a magical environment. This book examines how Neopagans are using the Net to provide information and to develop their experience from e-covens and cyber-groves.
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