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E. Jane Burns argues that literary portraits of medieval heroines who produce and decorate silk cloth or otherwise manipulate items of silk outline a metaphorical geography that includes northern France as an important cultural player within the silk economics of the Mediterranean.
In the later Middle Ages, clothing was used to mark religious, military, and chivalric orders. This book explores the representation of this material culture in the literary texts, and other documents that imagine various functions for elite clothing in twelfth- and thirteenth-century France.
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