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To counterbalance the hierarchies and justifications of modern life, there are voices raised in protest, like Eduardo Moga's, which don't mourn a presumed lost golden age ... That phase was left behind for Moga long ago, and we must presume he underwent an apprenticeship of disappointment: the discovery that the gods do not love us...
En el ano 2013, impulsado por un entorno laboral y politico agobiante, Eduardo Moga, como tantos otros espanoles, decide emigrar. Su destino: Londres; su objetivo: una nueva vida; el resultado: Muerte y Amapolas en Alexandra Avenue.
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