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An English lit account of how contemplation worked for medieval audiences and how works were presented to readers at the time to aid them in achieving a contemplative state.
Literary scholars often avoid category of aesthetic in discussions of ethics, believing that aesthetic judgments can vitiate analyses of a literary work's sociopolitical heft. This title reveals that aesthetics formal aspects of literary language that make it senseperceptible are indeed inextricable from ethics in writing of medieval literature.
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