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Erika Kohut teaches piano at the Vienna Conservatory by day. But by night she trawls the porn shows of Vienna while her mother, whom she loves and hates in equal measure, waits up for her. Into this emotional pressure-cooker bounds music student and ladies' man, Walter Klemmer. With Walter as her student, Erika spirals out of control.
In a quaint Austrian ski resort, things are not quite what they seem. Hermann, the manager of a paper mill, has decided that sexual gratification begins at home. Which means Gerti - his wife and property. Gerti is not asked how she feels about the use Hermann puts her to. She is a receptacle into which Hermann pours his juices brutally.
Elfriede Jelineks Roman über Lust, patriarchalische Machtverhältnisse und Sexualität, der viel Aufsehen erregte: Als selbst die Angst vor Aids auch das hinterste Alpental erreicht hat, muss der Fabrikdirektor gezwungenermaßen seine außerehelichen Eskapaden einstellen und sich wieder seiner Frau Gerti zuwenden. Doch Gerti versucht den sexuellen Angriffen ihres Mannes zu entfliehen und landet schließlich in den Armen des Studenten Michael, aber auch dieses erotische Abenteuer endet für Gerti in Demütigung.Elfriede Jelinek, geboren 1946, ist eine österreichische Schriftstellerin, die 2004 den Literaturnobelpreis verliehen bekam und außerdem Preisträgerin des Georg-Büchner-Preises und des Franz-Kafka-Literaturpreises ist. Sie beleuchtet in ihren Werken die Missstände in der österreichischen Gesellschaft und hat damit bereits einige Skandale hervorgerufen. „Lust" gehört zu ihren meistverkauften Büchern.
For much of her career, Elfriede Jelinek has been maligned in the press for both her unrelenting critique of Austrian complicity in the Holocaust and her provocative deconstructions of pornography. Despite this, her central role in shaping contemporary literature was finally recognized in 2004 with the award of the Nobel Prize in Literature. Although she is an internationally recognized playwright, Jelinek's plays are difficult to find in English, which makes this new volume, which includes "Rechnitz: The Exterminating Angel," "The Merchant's Contracts" and "Charges (The Supplicants)" all the more valuable. In "Rechnitz," a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. In "The Merchant's Contracts," Jelinek brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated and bearing the brunt of the economic crisis. In "Charges (The Supplicants)," Jelinek offers a powerful analysis of the plight of refugees, from ancient times to the present. She responds to the immeasurable suffering among those fleeing death, destruction, and political suppression in their home countries and, drawing on sources as widely separated in time and intent as up-to-the-minute blog postings and Aeschylus's "The Supplicants," Jelinek asks what refugees want, how we as a society view them, and what political, moral, and personal obligations they impose on us.
One of a series of drama texts published to coincide with theatrical premieres of new plays and translations.
In Rechnitz, a chorus of messengers reports on the circumstances of the massacre of 180 Jews, an actual historical event that took place near the Austrian/Hungarian border town of Rechnitz. The author brings us a comedy of economics, where the babble and media spin of spectators leave small investors alienated.
English translation of Nobel laureate Elfriede Jelinek's Sports Play, a provocative postdramatic theatrical exploration of sport as a form of war. First produced in Vienna in 1998, this English version was produced in the UK to coincide with the London 2012 Olympics, and has subsequently toured internationally.
Elfriede Jelinek''s wide-ranging literary production has brought her to the forefront of the Austrian literary scene. The fifteen essays collected here demonstrate the significance of this major literary voice, addressing Jelinek as a master of modernist prose, of post-modern critique of literary genres, and of stage and screen. Hers is a strong voice against domestic violence, pornography, oppression of women, and the continuance of the fascist legacy in the everyday world of contemporary Austria and Germany. Jelinek is represented in this volume with an essay on translation and is further introduced by an interview. The remaining fifteen contributions by eminent scholars from both Europe and the United States illuminate Jelinek''s writings through discussions of her major works. These critical analyses of her prose and drama and their attendant bibliographies make Jelinek''s fascinating and highly relevant literary world available to English-speaking readers for the first time.
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