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Aurora Leigh (1856) is an epic novel/poem by Elizabeth Barrett Browning. The poem is written in blank verse and encompasses nine books (the woman''s number, the number of the Sibylline Books). It is a first person narration, from the point of view of Aurora; its other heroine, Marian Erle, is an abused self-taught child of itinerant parents. The poem is set in Florence, Malvern, London and Paris. The author uses her knowledge of Hebrew and Greek, while also playing off modern novels, such as Corinne ou l''Italie by Anne Louise Germaine de Staël and the novels by George Sand. As far as Book 5, Aurora narrates her past, from her childhood to the age of about 27; in Books 6-9, the narrative has caught up with her, and she reports events in diary form. Elizabeth Barrett Browning styled the poem "a novel in verse", and referred to it as "the most mature of my works, and the one into which my highest convictions upon Life and Art have entered." Scholar Deirdre David asserts that Barrett Browning''s work in Aurora Leigh has made her into "a major figure in any consideration of the nineteenth-century woman writer and of Victorian poetry in general." John Ruskin called it the greatest long poem of the nineteenth century.
Browning and Haydon never met, but their lively conversation, initiated in 1842, continued unabated until 1845, about a year before the painter's suicide. It was a lopsided correspondence in which 94 letters written by Haydon, most of which have not been published before, received fewer replies from Barrett, 28 of which are included here.
With an Introduction and Notes by Dr Sally MinogueElizabeth Barrett Browning was such an acclaimed poet in her own lifetime that she was suggested as a candidate for the Poet Laureateship when Wordsworth died in 1850. Yet today we have only a limited knowledge of her considerable life's work as a poet, in part because of a lack of representative but accessible editions of her work. Readers will find here not only her well-known sonnet sequence of love poems, Sonnets From the Portuguese, but also lesser known sonnets, some in praise of the cross-dressing bohemian writer George Sand, others to contemporary poets and artists. Her religious and spiritual poetry echoes that of the Metaphysical poets. A different voice emerges in her social and political protest poems, such as 'The Cry of the Children' and 'The Runaway Slave at Pilgrim's Point'. Her experimental ballads allowed her to develop a distinctive way of writing about women within an apparently conventional form. In the outstanding work of her maturity, Aurora Leigh, the woman's voice takes centre stage. This 'novel-poem' is full of verve and interest, with a female poet-hero who casts a caustic eye on life and on her fellow men - and women.We all think we know the story of Elizabeth Barrett Browning - the mysterious illness which enclosed her in her room, her over-loving but imperious father, and her romantic, secret marriage to the poet Robert Browning and their life together in Italy. But this comprehensive selection of her poetry tells the real story of her sustained creative life as a poet, which began with her childhood poetic ambitions and ended only with her death. All the major aspects of her poetry are represented in this accessible edition which is well-annotated and contextualised, with a wide-ranging introduction which covers Barrett Browning's poetic and intellectual life as well as her personal one. Recent critical re-readings, including major feminist reassessments, of her poetry are covered in the introduction, with helpful suggestions for further reading.
First published in 1851, this is a poem in two parts. The first explores the hope glimmering in Florence during the early years of the Risorgimento. The second acknowledges the difficulties on the long road to independence. Together, they form one of the finest works by Elizabeth Barrett Browning (1806-61).
One of the leading poets of the nineteenth century, Elizabeth Barrett Browning had a profound influence on her contemporaries and on writers that followed her. This edition provides a varied selection of Browning's poetry, including relatively neglected material from her early career.
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