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A penetrating analysis of a director whose work exemplifies Europe's engagement with Hollywood
A study of Georges Melies, who directed, edited, produced, designed and starred in over 500 films between 1896 and 1912. Elizabeth Ezra explodes several myths about Melies's role in film history and locates the roots of modern narrative cinema in Melies's work.
France between the two World Wars was pervaded by representations of its own colonial power, expressed forcefully in the human displays at the expositions coloniales, films starring Josephine Baker, and the short stories of Paul Morand, and more...
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