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Ang Lee came to the fore in the 1990s as one of the 'second wave' of Taiwanese directors. After studying at New York University, Lee returned to Taiwan where he directed Pushing Hands, The Wedding Banquet, Eat Drink Man Woman. Austen's Sense And Sensibility was a tremendous critical and commercial success. But it was his triumphant return to...
Jane Campion is one of the few women film-makers working today who has managed to create a unique body of work. A true independent film-maker, yet she has attracted 'A' List Hollywood superstars to appear in her films. Who else but Jane Campion could have convinced a tattooed Harvey Keitel to run buck-naked through the New Zealand landscape in...
Written as part of the Worthing WOW festival celebrations, Electric Pictures commemorates 120 years of film in the Sussex coastal towns of Worthing and Shoreham, capturing the region's rich cinematic legacy and its place in British film history.
Bio-pics: A Life in Pictures offers a series of case studies which throw light on this most unique of genres. Is the bio-pic a genre in its own right? Or are such films merely footnotes in other more traditional genres such as the western or costume drama, depending on the historical figure under scrutiny. Unlike other genre forms bio-pics seemingly share no familiar iconography, codes or conventions. They can be set anywhere and at any time. What links them is quite simply that the films depict the life of an 'important' person. Through a carefully selected range of thematically linked (English-language) bio-pics released since 1990 this book explores key issues surrounding their resurgence, narrative structure, production, subject representation or misrepresentation, and critical response. The films under discussion are grouped around a profession (writers, singers, politicians, sportsmen, criminals, artists) allowing for comparisons to be drawn in approaches to similar subject matter.
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