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This book explores Victorian and modernist haunted houses in female-authored ghost stories as representations of the architectural uncanny.
This genealogy of the odd woman compares representations of spinsters, lesbians and widows in British women's fiction and auto/biography from the 1850s to the 1930s -- .
The short story remains a crucial - if neglected - part of British literary heritage. This accessible and up-to-date critical overview maps out the main strands and figures that shaped the British short story and novella from the 1850s to the present. It offers new readings of both classic and forgotten texts in a clear, jargon-free way.
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