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Emmanuel Alloa retraces the history of Western attitudes toward the visual to propose a major rethinking of images as irreplaceable agents of our everyday engagement with the world. He examines how ideas of images and their powers have been constructed in Western humanities, art theory, and philosophy.
An introduction to the philosophy of Maurice Merleau-Ponty (1908-1961) which guides through the three main phases of his work. Both for beginners and for confirmed scholars.
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