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Lyrical and blackly comic, A Provincial Death is a startlingly original meditation on solitude and perseverance, the consolations of art and philosophy, and the capacity of human beings to endure catastrophe. It is a hot, summer morning and Smyth, a struggling writer and academic, wakes to discover he is stranded alone on a rock in the Irish Sea. As he clings on in hope of salvation, he is assailed by broken memories and the failures of his past. Fragmented images of the previous day come to him: a mysterious research institute, a dead forest, a rickety boat captained by a gruff old fisherman, an eccentric academic named McGovern who believed that the Moon was about to crash into the Earth, destroying everything. Confused, weary and sore, and with the tide rising inexorably and strange sea creatures circling, Smyth tries to make sense of an arbitrary world in a desperate bid for survival.
This study explores the fiction of John Banville within a variety of cultural, political, ethical and philosophical contexts. Through thematic readings of the novels, Eoghan Smith examines the complexity of Banville's view of the artwork and explores the novelist's attraction and resistance to forms of authenticity, whether aesthetic, existential or ideological. Emphasizing in particular the influence of Banville's major Irish modernist precursor, Samuel Beckett, this book places the local elements of his writing alongside his wide-ranging literary and philosophical interests. Highlighting the evolving nature of Banville's engagement with varieties of authenticity, it explores the art of failure and the failure of art, the power and politics of the contemporary imagination, and the ways in which this important contemporary writer continues to redefine the boundaries of Irish fiction.
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