Books by Euripides

A play of psychologically and physically murderous vengeance, Medea is one of the most powerful and perennially produced of all ancient drama.

This volume of Euripides' plays offers new translations of the three great war plays Trojan Women, Hecuba, and Andromache, in which the sufferings of Troy's survivors are harrowingly depicted. With unparalleled intensity, Euripides--whom Aristotle called the most tragic of poets--describes the horrific brutality that both women and children undergo during war. Yet, in the war's aftermath, this brutality is challenged and a new battleground is revealed where the women of Troy evince an overwhelming greatness of spirit.We weep for the aged Hecuba in her name play and in Trojan Women, while at the same time we admire her resilience amid unrelieved suffering. Andromache, the slave-concubine of her husband's killer, endures her existence in the victor's country with a stoic nobility. Of their time yet timeless, these plays insist on the victory of the female spirit amid the horrors visited on them by the gods and men during war.

This translation of the only extant satyr play of Euripides is designed for the non-specialist reader, and is accompanied by a critical introduction and notes designed to clarify obscure references and to explain the conventions of the Athenian stage.

This translation shows the striking interplay of voices in Euripides' 'Suppliant Women'. Torn between the mothers' lament over the dead and proud civic eulogy, between calls for a just war and grief for the fallen, the play captures the competing poles of the human psyche.

Medea has been abandoned by her husband. His new bride is the daughter of the most powerful man in Corinth and Medea and the boys are to be forced to leave the state and become refugees. But Medea is not a woman to accept such disrespect passively.

Euripides (c. 485-406 BCE) has been prized in every age for his emotional and intellectual drama. Eighteen of his ninety or so plays survive complete, including Medea, Hippolytus, and Bacchae, one of the great masterpieces of the tragic genre. Fragments of his lost plays also survive.

Euripides wrote about timeless themes, of friendship and enmity, hope and despair, duty and betrayal. The first three plays in this volume are imbued with an atmosphere of violence, while the fourth, Cyclops, is our only surviving example of a genuine satyr play, with all the crude and slapstick humor that characterized the genre. Alcestis shows various reactions to death with pathos and grim humor while the blood-soaked Heracles portrays deep emotional pain and undeserved suffering. Children of Heracles deals with the effects of war on refugees and the consequences of sheltering them.

Includes a critical introduction, commentary on the text, full stage directions, and a glossary of the mythical and geographical references in the plays.

Perfect for theatre goers, students, teachers, aficionados of classic drama.

An ancient Greek tragedy from Athenian playwright Euripides. This is a new translation from Colin Teevan. The tragedy is based on the mythological story of King Pentheus of Thebes and his mother Agaue, and their punishment by the god Dionysus (who is Pentheus' cousin) because he refuses to worship him.

This new translation brings to life the tragedian described by Aristotle as `the most tragic of the poets'. In his tragedies Euripides places his characters under the pressure of intolerable circumstances, revealing them, to use his own words, `as they are'. Supremely responsive to the lot of women, these plays give voice to a howl of protest against the world in which we live.

Offers a detailed literary and cultural analysis of Euripides' Helen, a work which arguably embodies the variety and dynamism of fifth-century Athenian tragedy more than any other surviving play. The Commentary's notes on language and style make the play fully accessible to readers of Greek at all levels.

A new translation of Euripides' play in which the young hero, a foundling engaged to keep the Temple of Apollo tidy, meets the Queen of Athens. She tells him of "a friend" who was seduced by Apollo and had a baby which she abandoned. After a series of twists and turns, mother and son are reunited.

Euripides' "Bakkhai" is the staple of the canon of Greek tragedy, as its structure and thematics offer exemplary models of the classic tragic elements. The plot centres around the actions of Pentheus, King of Thebes, who refused to recognize the god Dionysus or permit Thebans to worship him.

Andromache

Merwin and Dimock have provided a new translation for this celebrated tragedy, with a comprehensive introduction, notes on the text, and a glossary of mythical and geographical terms.

This is the final in a series of three volumes of a prose translation of Euripides' most popular plays. In the three great war plays contained in this volume Euripides subjects the sufferings of Troy's survivors to a harrowing examination.

Through their sheer range, daring innovation, flawed but eloquent characters and intriguing plots, the plays of Euripides have shocked and stimulated audiences since the fifth century BC. Phoenician Women portrays the rival sons of King Oedipus and their mother's doomed attempts at reconciliation, while Orestes shows a son ravaged with guilt after the vengeful murder of his mother. In the Bacchae, a king mistreats a newcomer to his land, little knowing that he is the god Dionysus disguised as a mortal, while in Iphigenia at Aulis, the Greek leaders take the horrific decision to sacrifice a princess to gain favour from the gods in their mission to Troy. Finally, the Rhesus depicts a world of espionage between the warring Greek and Trojan camps.

In this sensitive new translation by James Michie and Colin Leach, Euripides' fragile structure of subtlety, in both timing and tone, is beautifully preserved.

The three plays by Euripides in this volume - "Elektra", "Orestes" and "Iphigeneia in Tauris", show the consequences of Agamemnon's "sacrifice" of his daughter at the start of the Trojan War.

Written at the time of the Peloponnesian War (425-420 BC), the three plays in this volume - "Andromache", "Herakles' Children" and "Herakles" - highlight the trivial causes and dire consequences of war.

This volume provides a thorough philological and dramatic commentary on Euripides' Phoenissae, the first detailed commentary in English since 1911. An introduction surveys the play, its possible date, features of the original production, the background of Theban myth, the general problem of interpolation, and the textual tradition.