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Expanding on the well-established discussion of the translation from drawings to buildings, this book fills a lacuna in current scholarly publications, questioning the significance of the lives of drawings and models after construction.
This book fills in a blind spot in current architectural theory and practice, looking into a notion of conservation as a form of invention and imagination, offering the reader a counter-viewpoint to a predominant western understanding that preservation should be a 'still shot' from the past.
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