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Post-Impressionism is a movement in France that represented both an extension of Impressionism and a rejection of that styles inherent limitations. The term Post-Impressionism was coined by the English art critic Roger Fry for the work of late 19th-century painters. Most of these painters began as Impressionists.
Trompe-l'oeil, a French term meaning to trick, the eye, describes a painting that deceives the spectator into thinking that the objects in it are real, not merely represented. To successfully fool the eye of the viewer, trompe-l'oeil artists choose objects, situations and compositional devices using as little depth as possible.
Covers the works produced by Arnaldo Pomodoro between 1953 and 2003, supplemented with the a documentary research into the bibliography.
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