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More radically than had any contemporary English author's work, Thomas Gray's two Pindaric odes of 1757, effectively challenged readers' powers of comprehension, posing problems of reference as well as distinctly Pindaric problems of coherence. Solving those problems calls for knowledge not widely had then, now, or in between.
A major task confronting today's scholars is the reclamation from near oblivion of a multitude of works of art, literature, music, scholarship, and other creative enterprises by eighteenth-century women.
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