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Friedrich Nietzsche is one of the most influential thinkers of the past 150 years and On the Genealogy of Morality (1887) is his most important work on ethics and politics. A polemical contribution to moral and political theory, it offers a critique of moral values and traces the historical evolution of concepts such as guilt, conscience, responsibility, law and justice. First published in 1994, and revised in 2006, the third edition of this best-selling, concise introduction and translation has been revised and updated throughout, to take account of recent scholarship. Featuring an expanded introduction, an updated bibliography and a guide to further reading, the third edition also includes timelines and biographical synopses. The Cambridge Texts in the History of Political Thought edition of Nietzsche's major work is an essential resource for both undergraduate and graduate courses on Nietzsche, the history of philosophy, continental philosophy, history of political thought and ethics.
A new translation of this seminal work by the prize-winning translator of W.G. Sebald, Goethe, Rilke, Herta Muller and Elfriede Jelinek. In Thus Spake Zarathustra, Nietzsche's infamous protagonist sets off on a grand and noble quest to find meaning in a secular world and to live joyfully alongside the knowledge of death. In this new translation by Michael Hulse - the first in English by a poet - Zarathustra is revealed in all his bold and ironic splendour as a man who prizes self worth above all else as a moral code to live by. Radical, uncategorisable, contradictory and often humorous, Thus Spake Zarathustra is a grand celebration of human existence by one of the most influential thinkers of the past two centuries.
"Translated from Friedrich Nietzsche, S'amtliche Werke: Kritische Studienausgabe, ed. Giorgio Colli and Mazzino Montinari, in 15 vols. This book corresponds to Vol. 5."
The companion book to Beyond Good and Evil, the three essays included here offer vital insights into Nietzsche's theories of morality and human psychology.Nietzsche claimed that the purpose of The Genealogy of Morals was to call attention to his previous writings. But in fact the book does much more than that, elucidating and expanding on the cryptic aphorisms of Beyond Good and Evil and signalling a return to the essay form. In these three essays, Nietzsche considers the development of ideas of 'good' and 'evil'; explores notions of guilt and bad consience; and discusses ascetic ideals and the purpose of the philosopher. Together, they form a coherent and complex discussion of morality in a work that is more accessible than some of Nietzsche's previous writings.Friedrich Nietzsche was born near Leipzig in 1844. When he was only twenty-four he was appointed to the chair of classical philology at Basel University. From 1880, however, he divorced himself from everyday life and lived mainly abroad. Works published in the 1880s include The Gay Science, Thus Spoke Zarathustra, Beyond Good and Evil, On the Genealogy of Morals, Twilight of the Idols and The Antichrist. In January 1889, Nietzsche collapsed on a street in Turin and was subsequently institutionalized, spending the rest of his life in a condition of mental and physical paralysis. Works published after his death in 1900 include Will to Power, based on his notebooks, and Ecce Homo, his autobiography.Michael A. Scarpitti is an independent scholar of philosophy whose principal interests include English and German thought of the eighteenth and nineteenth centuries, as well as exegesis and translation theory.Robert C. Holub is currently Ohio Eminent Scholar and Professor of German at the Ohio State University. Among his published works are monographs on Heinrich Heine, German realism, Friedrich Nietzsche, literary and aesthetic theory, and J rgen Habermas.
This is the third volume to appear in an edition that will be the first complete, critical, and annotated English translation of all of Nietzsche's work. It provides for the first time English translations of all of Nietzsche's unpublished notebooks from the summer of 1872 to the end of 1874.
Originally published as separate volumes as Mixed Opinions and Maxims (1879) and The Wanderer and His Shadow (1880), the two works included here continue the aphoristic style begun in Volume I of Nietzsche's "Book for Free Spirits" and offer a window into the intellectual sources behind his evolution as a philosopher.
Two representative and important works in one volume by one of the greatest German philosophers.The Birth of Tragedy (1872) was Nietzsche''s first book. Its youthful faults were exposed by Nietzsche in the brilliant "Attempt at a Self-Criticism" which he added to the new edition of 1886. But the book, whatever its excesses, remains one of the most relevant statements on tragedy ever penned. It exploded the conception of Greek culture that was prevalent down through the Victorian era, and it sounded themes developed in the twentieth century by classicists, existentialists, psychoanalysts, and others.The Case of Wagner (1888) was one Nietzsche''s last books, and his wittiest. In attitude and style it is diametrically opposed to The Birth of Tragedy. Both works transcend their ostensible subjects and deal with art and culture, as well as the problems of the modern age generally.Each book in itself gives us an inadequate idea of its author; together, they furnish a striking image of Nietzsche''s thought. The distinguished translations by Walter Kaufmann superbly reflect in English Nietzsche''s idiom and the vitality of his style. Professor Kaufmann has also furnished running footnote commentaries, relevant passages from Nietzsche''s correspondence, a bibliography, and, for the first time in any edition, an extensive index to each book.
This is a the second volume in the series which presents a complete, critical, and annotated English translation of all of Nietzsche's work. The edition is a new English translation of the celebrated Colli-Montinari edition.
This edition of Dawn, the second installment in Nietzsche's free spirit trilogy, is a translation of the celebrated Colli-Montinari edition, which is acclaimed as one of the most important works of scholarship in the humanities in the last half century.
An essay which argues that truth is an illusion. It rejects the idea of universal constants, and claims that what we call truth is only a mobile army of metaphors, metonyms, and anthropomorphisms.
Represents a selection from Nietzche''s notebooks to find out what he wrote on nihilism, art, morality, religion, and the theory of knowledge, among others.Nietzsche''s notebooks, kept by him during his most productive years, offer a fascinating glimpse into the workshop and mind of a great thinker, and compare favorably with the notebooks of Gide and Kafka, Camus and Wittgenstein. The Will to Power, compiled from the notebooks, is one of the most famous boooks of the philosophy. Here is the first critical edition in any language. Down through the Nazi period The Will to Power was often mistakenly considered to be Nietzche''s crowning systematic labor; since World War II it has frequently been denigrated. In fact, it represents a stunning selection from Nietzsche''s notebooks, in a a topical arrangement that enables the reader to find what Nietzsche''s wrote on a variety of subjects. Walter Kaufmann, in collaboration with R. J. Holilngdale, brings to this volume his unsurpassed skills as a Nietzsche translator and scholar. Professor Kaufmann has included an approximate date of each note. His running footnote commentary offers information needed to follow Nietzsche''s train of thought, and indicates, among other things, which notes were eventually superseded by later formulations. The comprehensive index serves to guide the reader to the extraordinary riches of this book.
Presents the translation of the poetry of one of the celebrated and influential German thinkers, Friedrich Nietzsche (1844-1900). From his first poems, written at the age of fourteen, to his last extant writings, this title includes his 275 poems and aphorisms. It is suitable for those with an interest in German literature or European philosophy.
Ecce Homo is an autobiography like no other. Nietzsche passes under review all his previous books and reaches a final reckoning with his many enemies. Ecce Homo is the summation of an extraordinary philosophical career.
Translated by Antony M. Ludovici. With an Introduction by Ray Furness.The three works in this collection, all dating from Nietzsche's last lucid months, show him at his most stimulating and controversial: the portentous utterances of the prophet (together with the ill-defined figure of the bermensch) are forsaken, as wit, exuberance and dazzling insights predominate, forcing the reader to face unpalatable insights and to rethink every commonly accepted 'truth'. Thinking with Nietzsche, in Jaspers' words, means holding one's own against him, and we are indeed refreshed and challenged by the vortex of his thoughts, by concepts which test and probe.In The Twilight of the Idols, The Antichrist, and Ecce Homo Nietzsche writes at breakneck speed of his provenance, his adversaries and his hopes for mankind; the books are largely epigrammatic and aphoristic, allowing this poet-philosopher to bewilder and fascinate us with their strangeness and their daring. He who fights with monsters, Nietzsche once told us, should look to it that he himself does not become one, and when you gaze long into an abyss, the abyss also gazes into you. Reader, beware.
''Yes, what is Dionysian? - This book provides an answer - "a man who knows" speaks in it, the initiate and disciple of his god.''The Birth of Tragedy (1872) is a book about the origins of Greek tragedy and its relevance to the German culture of its time. For Nietzsche, Greek tragedy is the expression of a culture which has achieved a delicate but powerful balance between Dionysian insight into the chaos and suffering which underlies all existence and the discipline and clarity of rational Apollonian form. In order to promote a return to these values, Nietzsche undertakes a critique of the complacentrationalism of late nineteenth-century German culture and makes an impassioned plea for the regenerative potential of the music of Wagner. In its wide-ranging discussion of the nature of art, science and religion, Nietzsche''s argument raises important questions about the problematic nature of cultural origins whichare still of concern today. ABOUT THE SERIES: For over 100 years Oxford World''s Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford''s commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.
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