Books by Fyodor Dostoyevsky

'Dostoyevsky's finest masterpiece' John BayleyDostoyevsky's great novel of damnation and redemption evokes a world where the lines between innocence and corruption, good and evil, blur. It tells the story of Raskolnikov, a destitute and desperate former student, who wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be beyond conventional moral laws. But as he embarks on a dangerous game of cat and mouse with a police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Translated with an Introduction and notes by DAVID McDUFF

'Notes from Underground' (1864) is a study of a single character, 'the real man of the Russian majority', and a revelation of Dostoyevsky's own deepest beliefs. One of his best critics has said of the first part that it forms his 'most utterly naked pages. Never afterwards was he so fully and openly to reveal the inmost recesses, unmeant for display, of his heart.' 'The Double' (1846) is the nightmarish story of Mr Golyadkin, a man who is haunted or possessed by his own double. Is 'Mr Golyadkinjunior' really a double or simply a fearful side of his own nature? This uncertainty is what gives urgency and horror to a tale which may be read as a classic study of human breakdown.

Pyotr and Stavrogin are the leaders of a Russian revolutionary cell. Their aim is to overthrow the Tsar, destroy society and seize power for themselves. Together they train terrorists who are willing to go to any lengths to achieve their goals even if the mission means suicide. But when it seems the group is about to be discovered, will their recruits be willing to kill one of their own circle in order to cover their tracks? Partly based on the real-life case of a student murdered by his fellow revolutionaries, Dostoyevsky s sprawling novel is a powerful and prophetic, yet lively and often comic depiction of nineteenth-century Russia, and a savage indictment of the madness and self-destruction of those who use violence to serve their beliefs

Inspired by an image of Christ's suffering, Dostoyevsky set out to create a protagonist with "e;a truly beautiful soul"e; and to trace the fate of such an individual as he comes into contact with the brutal reality of contemporary society. The novel begins when the innocent epileptic Prince Myshkin - the 'idiot' - arrives in St Petersburg and finds himself drawn into a web of violent and passionate relationships that leads to blackmail, betrayal and eventually murder.

'The most magnificent novel ever written' Sigmund FreudThe murder of brutal landowner Fyodor Karamazov changes the lives of his sons irrevocably: Mitya, the sensualist, whose bitter rivalry with his father immediately places him under suspicion for parricide; Ivan, the intellectual, driven to breakdown; the spiritual Alyosha, who tries to heal the family's rifts; and the shadowy figure of their bastard half-brother, Smerdyakov. Dostoyevsky's dark masterwork evokes a world where the lines between innocence and corruption, good and evil, blur, and everyone's faith in humanity is tested.Translated with an Introduction and notes by DAVID McDUFF

In January 1850 Dostoyevsky was sent to a remote Siberian prison camp for his part in a political conspiracy. The four years he spent there, startlingly re-created in The House of the Dead, were the most agonizing of his life. In this fictionalized account he recounts his soul-destroying incarceration through the cool, detached tones of his narrator, Aleksandr Petrovich Goryanchikov: the daily battle for survival, the wooden plank beds, the cabbage soup swimming with cockroaches, his strange family of boastful, ugly, cruel convicts. Yet The House of the Dead is far more than a work of documentary realism: it is also a powerful novel of redemption, describing one man s spiritual and moral death and the miracle of his gradual reawakening.

Complete and unabridged, this is Crime and Punishment in an elegantly designed, hardcover edition.

Three master works from the official Church of Satan reading list: The Book of Lies by Aleister Crowley, The Anti-Christ by Friedrich Nietzsche and Notes from Underground Fyodor Dostoyevsky.

Dostoyevskys masterpiece introduces a world filled with greed, passion, depravity, and complex moral issues, as three brothers become involved in the brutal murder of their own father. This edition features an Afterword by bestselling author Sara Peretsky. Revised reissue.

One of the most famous passages in modern literature reimagined in a graphic novel adaptation.Two acclaimed Russian artists have collaborated to create an original graphic novel adaptation of the most famous chapters of Fyodor Dostoyevsky's The Brothers Karamazov: "Rebellion" and "The Grand Inquisitor."Ivan Karamazov, after protesting a God who allows innocents to suffer, recites for his brother Alyosha a poem he has written about Jesus' reappearance on earth during the Spanish Inquisition. One of the most famous passages in modern literature, this work raises important questions about free will, human nature, religion, power, and the radically subversive way of Jesus.

The Gambler is a short novel by Fyodor Dostoyevsky about a young tutor. The novella reflects Dostoyevsky's own addiction to roulette, which was one of the inspiration for the book: Dostoyevsky completed the novella under a strict deadline to pay off gambling debts. The Gambler treated a subject Fyodor Dostoevsky himself was familiar with-gambling

The shorter works of one of the world's greatest writers, including the classics The Gambler and Notes From the Underground.The short works of Dostoevsky exist in the very large shadow of his astonishing longer novels, but they too are among the best works in the history of literature. The Gambler chronicles Dostoevsky's own addiction, which he eventually overcame. Many have argued that Notes From the Underground contains several keys to understanding the themes of the longer novels, like Crime and Punishment and The Idiot. Those stories are joined here by other classics, including White Nights and The Eternal Husband.In the introduction to this volume, Ronald Hingley writes: ?It is admittedly impossible to evaluate or understand Dostoevsky's major work properly without taking into account his less voluminous writings, (and) it is also true that many of his shorter works are masterpieces in their own right?as it is hoped the reader may remind himself or discover for the first time...?

Notes from Underground, also translated as Notes from the Underground or Letters from the Underworld, is an 1864 novella by Fyodor Dostoevsky. Notes is considered by many to be one of the first existentialist novels. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator (generally referred to by critics as the Underground Man), who is a retired civil servant living in St. Petersburg. The first part of the story is told in monologue form, or the underground man's diary, and attacks emerging Western philosophy, especially Nikolay Chernyshevsky's What Is to Be Done?[2] The second part of the book is called "Apropos of the Wet Snow" and describes certain events that appear to be destroying and sometimes renewing the underground man, who acts as a first person, unreliable narrator and anti-hero.Serving as an introduction into the perplexing mind of the narrator, this part is split into nine chapters. The introduction to the chapters propounds a number of riddles whose meanings are further developed as the narration continues. Chapters 2, 3 and 4 deal with suffering and the irrational pleasure of suffering. Chapters 5 and 6 discuss the moral and intellectual fluctuation the narrator feels along with his conscious insecurities regarding "inertia"-inaction. Chapters 7, 8 and 9 cover theories of reason and logic, closing with the last two chapters as a summary and transition into Part 2.The narrator's desire for unhappiness is exemplified by his liver pain and toothache. The narrator mentions that utopian society removes suffering and pain, but man desires both things and needs them to be happy. According to the narrator, removing pain and suffering in society takes away a man's freedom. This parallels Raskolnikov's behavior in Dostoevsky's later novel, Crime and Punishment. He says that the cruelty of society makes human beings moan about pain only to spread their suffering to others. He builds up his own paranoia to the point that he is incapable of looking his co-workers in the eye.The main issue for the Underground Man is that he has reached a point of ennui and inactivity.