Books by G. Harris

Moving across the boundaries of mainstream and experimental circuits, from the affective pleasures of commercially successful shows such as Calendar Girls and Mamma Mia! to the feminist possibilities of new burlesque and stand-up, this book offers a lucid and accessible account of popular feminisms in contemporary theatre and performance.

This text analyzes Malraux's writing from his journalism in Indochina to his novels, art studies and (anti)memoralist essays. Cutting through the dual biographical image of Malraux it makes a balanced assessment of Malraux as a non-ideological if elitist artist who shaped his public role.