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To read Gail Godwin is to touch the very core of human experience. With inimitable grace and aching emotional precision, Godwin probes our own complexities in characters whose lives oscillate between success and struggle, stoic resolve and quixotic temptation, bitter disappointment and small, sacred joys. Now with Evensong, she again translates our everyday existence into soul-touching truths as she brings to brilliantly realized life the people of a small Smoky Mountain town--and a woman whose world is indelibly altered by them.
The novels of Gail Godwin are contemporary classics -- evocative, powerfully affecting, beautifully crafted fiction alive with endearing, unforgettable characters. Her critically acclaimed work has placed her among the ranks of Eudora Welty, Pat Conroy, and Carson McCullers, firmly establishing Godwin as a Southern literary novelist for the ages. In A Southern Famiy, the celebrated author of A Mother and Two Daughters, The Finishing School, and Father Melancholy's Daughter once again explores the shattering dynamics of parents' relationships with their children and themselves. It is the story of the Quick family and the reunion that leads to tragedy -- a masterful tale of anger and pain, of love and hatred, and of the understanding that ultimately heals.
Longlisted for the 2020 Grand Prix de littérature américainePublishers Weekly Best Books of 2017 (Top 10)Chicago Public Library Best of the Best Books 2017Indie Next Summer 2018 Pick For Reading GroupsThe haunting tale of a desolate cottage, and the hair-thin junction between this life and the next, from bestselling National Book Award finalist Gail Godwin.After his mother's death, eleven-year-old Marcus is sent to live on a small South Carolina island with his great aunt, a reclusive painter with a haunted past. Aunt Charlotte, otherwise a woman of few words, points out a ruined cottage, telling Marcus she had visited it regularly after she'd moved there thirty years ago because it matched the ruin of her own life. Eventually she was inspired to take up painting so she could capture its utter desolation.The islanders call it "Grief Cottage," because a boy and his parents disappeared from it during a hurricane fifty years before. Their bodies were never found and the cottage has stood empty ever since. During his lonely hours while Aunt Charlotte is in her studio painting and keeping her demons at bay, Marcus visits the cottage daily, building up his courage by coming ever closer, even after the ghost of the boy who died seems to reveal himself. Full of curiosity and open to the unfamiliar and uncanny given the recent upending of his life, he courts the ghost boy, never certain whether the ghost is friendly or follows some sinister agenda.Grief Cottage is the best sort of ghost story, but it is far more than that--an investigation of grief, remorse, and the memories that haunt us. The power and beauty of this artful novel wash over the reader like the waves on a South Carolina beach.
Publishing is a personal story of a writer''s hunger to be published, the pursuit of that goal, and then the long haul--for Gail Godwin, forty-five years of being a published writer and all that goes with it. A student at the University of North Carolina at Chapel Hill in 1958, Godwin met with Knopf scouts who came to campus every spring in search of new talent. Though her five pages of Windy Peaks were turned down and the novel never completed, she would go on to publish two story collections and fourteen novels, three of which were National Book Award finalists, five of which were New York Times bestsellers.Publishing reflects on the influence of her mother''s writing hopes and accomplishments, and recalls Godwin''s experiences with teachers Kurt Vonnegut and Robert Coover at the Iowa Writers'' Workshop; with John Hawkins, her literary agent for five decades; with John Irving and other luminaries; and with her editors and publishers. Recollecting her long and storied career, Godwin maps the publishing industry over the last fifty years, a time of great upheaval and ingenuity. Her eloquent memoir is illuminated by Frances Halsband''s evocative black-and-white line drawings throughout. There have been memoirs about writing and memoirs about being an editor, but there is no other book quite like Publishing for aspiring writers and book lovers everywhere.
*Critics place her among the ranks of Eudora Welty, Pat Conroy, and Carson McCullers. *A subtle, moving meditation on the nature of intimacy and influence, and the differences between good matches and good mates.
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