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Gail Kern Paster explores the role of the city in the works of William Shakespeare, Thomas Middleton, and Ben Jonson. Paster moves beyond the usual presentation of the city-country dichotomy to reveal a series of oppositions that operate within the city's walls.
Proposes a new way to read the emotions of the early modern stage so that contemporary readers may recover some of the historical particularity in early modern expressions of emotional self-experience.
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