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A collection of 12 medieval Breton lais which capture the Celtic faery tradition, sourced from the anonymous jongleurs of the 12th century and rendered into English with a commentary on the modern interpretation of faery lore.
A history of the Tarot and a card by card analysis of the archetypes and symbolism behind it, followed by an extensive range of practical exercises for their practical use in meditation, ritual and divination.
An overview of various kinds of magical image, with instructions for their use as agents of self realisation and spiritual service.
A collection of essays tracing the historical importance and esoteric influence of Merlin and the Grail tradition, from its mythological beginnings right down to its relevance in modern magical practice.
A series of teachings on the use of magical images in practical occultism, based around the construct of an inner plane Abbey.
Based on the work of a 1920s French novelist, the medieval legend of the Faery Melusine of Lusignan is brought to the English-speaking world in a new retelling.
A diverse history of the thought, philosophy and evolution of consciousness which has shaped the Western Mystery Tradition and the practice of modern ritual magic.
A course in Christian Qabalistic Magic, first published in 1975 and providing a comprehensive overview of the history and practice of magic from a broadly Christian perspective. Includes practical exercises and methods of inner plane communication.
The selected letters of Gareth Knight from 1969 to 2010. These letters were written to some 70 recipients, from learned discourse with academics, through exchanges of strange experiences with esoteric colleagues, to providing general answers and advice to seekers looking for their path.
The works of J. R. R. Tolkien, C. S. Lewis, Charles Williams and Owen Barfield have had a profound impact on the contemporary world. The Magical World of the Inklings reveals how each of these writers created a 'magical world' which initiates the reader into hidden and powerful realms of the creative imagination.
A haunting and possession which took place in London just before the first world war forms the basis of this novella, whose author went on to be a friend and colleague of Dion Fortune. Originally published in 1918.
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