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Shakespeare's plays abound with kings and leaders who crave a public stage and seize every opportunity to make their lives a performance: Antony, Cleopatra, Richard III, Othello, and many others. Such self-dramatizing characters appear in the work of other playwrights of the era as well, Marlowe's Edward II and Tamburlaine among them. But Elizabethan playwrights were not alone in realizing that a sense of theater was essential to the exercise of power. Real rulers knew it, too, and none better than Queen Elizabeth. In this fascinating study of political stagecraft in the Elizabethan era, Garry Wills explores a period of vast cultural and political change during which the power of make-believe to make power real was not just a theory but an essential truth. Wills examines English culture as Catholic Christianity's rituals were being overturned and a Protestant queen took the throne. New iconographies of power were necessary for the new Renaissance liturgy to displace the medieval church-state. The author illuminates the extensive imaginative constructions that went into Elizabeth's reign and the explosion of great Tudor and Stuart drama that provided the imaginative power to support her long and successful rule.
Renowned historian and social commentator Garry Wills takes a fresh look at the life of James Madison, from his rise to prominence in the colonies through his role in the creation of the Articles of Confederation and the first Constitutional Congress. Madison oversaw the first foreign war under the constitution, and was forced to adjust some expectations he had formed while drafting that document. Not temperamentally suited to be a wartime President, Madison nonetheless confronted issues such as public morale, internal security, relations with Congress, and the independence of the military. Wills traces Madison's later life during which, like many recent Presidents, he enjoyed greater popularity than while in office.
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