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This book is a result of an effort made by us towards making a contribution to the preservation and repair of original classic literature.In an attempt to preserve, improve and recreate the original content, we have worked towards:1. Type-setting & Reformatting: The complete work has been re-designed via professional layout, formatting and type-setting tools to re-create the same edition with rich typography, graphics, high quality images, and table elements, giving our readers the feel of holding a 'fresh and newly' reprinted and/or revised edition, as opposed to other scanned & printed (Optical Character Recognition - OCR) reproductions.2. Correction of imperfections: As the work was re-created from the scratch, therefore, it was vetted to rectify certain conventional norms with regard to typographical mistakes, hyphenations, punctuations, blurred images, missing content/pages, and/or other related subject matters, upon our consideration. Every attempt was made to rectify the imperfections related to omitted constructs in the original edition via other references. However, a few of such imperfections which could not be rectified due to intentional\unintentional omission of content in the original edition, were inherited and preserved from the original work to maintain the authenticity and construct, relevant to the work.We believe that this work holds historical, cultural and/or intellectual importance in the literary works community, therefore despite the oddities, we accounted the work for print as a part of our continuing effort towards preservation of literary work and our contribution towards the development of the society as a whole, driven by our beliefs. We are grateful to our readers for putting their faith in us and accepting our imperfections with regard to preservation of the historical content. HAPPY READING!
Michael Snowdon inherits a substantial sum of money from his deceased son and decides to return from Australia to London. He spends only on necessities and lives like a poor man despite being able to live comfortably. His fortune is kept a secret even from his close friends and relatives.George Robert Gissing was an English novelist, a teacher and tutor throughout his life. He failed to get his first novel accepted by a publisher, and so published it privately, funding it with money from an inheritance. He published his first novel, Workers in the Dawn, in 1880 and later produced over twenty novels during his literary career becoming one of the most popular writers.
Alice and Virginia Madden move to London and renew their friendship with Rhoda, an unmarried bluestocking. She is living with the also unmarried Mary Barfoot, and together they run an establishment teaching secretarial skills to young middle-class women remaindered in the marriage equation.George Robert Gissing was an English novelist, a teacher and tutor throughout his life. He failed to get his first novel accepted by a publisher, and so published it privately, funding it with money from an inheritance. He published his first novel, Workers in the Dawn, in 1880 and later produced over twenty novels during his literary career becoming one of the most popular writers.
Osmond Waymark, a struggling teacher answers a magazine advertisement, placed by Julian Casti, a half-Italian who had felt himself to be rejected by society. The two strike up a meaningful and deep friendship.George Robert Gissing was an English novelist, a teacher and tutor throughout his life. He failed to get his first novel accepted by a publisher, and so published it privately, funding it with money from an inheritance. He published his first novel, Workers in the Dawn, in 1880 and later produced over twenty novels during his literary career becoming one of the most popular writers.
Milvain, one of the two central characters of the novel is a modern young man driven by pure financial ambition in navigating his literary career. He accepts that he will always despise the people he writes for, networks within the appropriate social circle to create opportunity, and authors articles for popular periodicals. Reardon prefers to write novels of a more literary bent and refuses to pander to contemporary tastes until, as a last-gasp measure against financial ruin, he attempts a popular novel.George Robert Gissing was an English novelist, a teacher and tutor throughout his life. He failed to get his first novel accepted by a publisher, and so published it privately, funding it with money from an inheritance. He published his first novel, Workers in the Dawn, in 1880 and later produced over twenty novels during his literary career becoming one of the most popular writers.
This ninth volume concludes the widely-acclaimed edition of The Collected Letters of George Gissing, which not only renders obsolete all other collections and selections of his letters, but also contains a considerable quantity of hitherto unpublished or inaccessible materials.
For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927.
Gissing's career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization.
Gissing's career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization.
Gissing's career, which spanned the period of about 1877 to his death in 1903, was characterized by prodigious output (almost a novel a year in the early days), modest recognition, and modest income. He wrote of poverty, socialism, class differences, social reform, and later on, about the problems of women and industrialization.
For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927.
For many years, the only Gissing letters available to the public were those in the modest selection of letters to his family published in 1927.
Against the vivid background of the political and social upheavals of the mid-1880s, in 'Demos' Gissing weaves an electrifying story of ambition, betrayal, love and loss. The novel offers one of the most penetrating analyses of London's poor and working classes in late-Victorian fiction and delivers an unsettling critique of the English socialist movement at a pivotal point in its history. Gissing's rage against the social and economic system that creates appalling poverty is palpable, and he depicts human suffering with exquisite poignancy in scenes that are among the most beautiful in the English language. This new scholarly edition includes: preface by Pierre Coustillas, critical introduction by Debbie Harrison, suggestions for further reading, George Gissing chronology, explanatory notes, appendix on the politics of 'Demos'.
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