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Comparing the lived world with the ideal world, noted American philosophical naturalist, poet, and literary critic George Santayana (1863-1952) seeks in this influential compilation of his earlier works to outline the ancient ideal of a well-ordered life, one in which reason is the organizing force that recognizes the need to allocate science, religion, art, social concerns, and practical wisdom their proper role and appropriate emphasis within the fully developed human experience.
Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (1863 - 1952), was a philosopher, essayist, poet, and novelist. Originally from Spain, Santayana was raised and educated in the US from the age of eight and identified himself as an American, although he always retained a valid Spanish passport. At the age of 48, Santayana left his position at Harvard and returned to Europe permanently. Santayana is popularly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it", "Only the dead have seen the end of war", and the definition of beauty as "pleasure objectified". Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.
Jorge Agustín Nicolás Ruiz de Santayana y Borrás, known in English as George Santayana (1863 - 1952), was a philosopher, essayist, poet, and novelist. Originally from Spain, Santayana was raised and educated in the US from the age of eight and identified himself as an American, although he always retained a valid Spanish passport. At the age of 48, Santayana left his position at Harvard and returned to Europe permanently. Santayana is popularly known for aphorisms, such as "Those who cannot remember the past are condemned to repeat it", "Only the dead have seen the end of war", and the definition of beauty as "pleasure objectified". Although an atheist, he treasured the Spanish Catholic values, practices, and worldview in which he was raised.
All five volumes of George Santayana's philosophical masterwork exploring the manifestations of reason in life are united in this superb edition.The Life of Reason begins boldly, with Santayana explaining his concept of reason in great detail. How a mind may embark and progress on applying rational thought to life is explained, and the practical value of such thinking methods are demonstrated.The second volume sees the author questioning whether men can be exhorted to virtuous behaviors without the concept of a creator, heaven, hell or other supernatural concepts. The third volume, Reason in Religion, is an emotional and at times autobiographical account of Santayana's own struggles with faith.Volumes four and five concern science and art, respectively. The basis of artistic expression and its grounding in reasoning is discussed, with chapters dedicated to the visual art of painting and also music.
All five volumes of George Santayana's philosophical masterwork exploring the manifestations of reason in life are united in this superb edition.The Life of Reason begins boldly, with Santayana explaining his concept of reason in great detail. How a mind may embark and progress on applying rational thought to life is explained, and the practical value of such thinking methods are demonstrated.The second volume sees the author questioning whether men can be exhorted to virtuous behaviors without the concept of a creator, heaven, hell or other supernatural concepts. The third volume, Reason in Religion, is an emotional and at times autobiographical account of Santayana's own struggles with faith.Volumes four and five concern science and art, respectively. The basis of artistic expression and its grounding in reasoning is discussed, with chapters dedicated to the visual art of painting and also music.
Book Excerpt: ...hile life as a whole, history, character, and destiny are objects unfit for imagination to dwell on, and repellent to poetic art? I cannot think so. If it be a fact, as it often is, that we find little things pleasing and great things arid and formless, and if we are better poets in a line than in an epic, that is simply due to lack of faculty on our part, lack of imagination and memory, and above all to lack of discipline.This might be shown, I think, by psychological analysis, if we cared to rely on something so abstract and so debatable. For in what does the short-winded poet himself excel the common unimaginative person who talks or who stares? Is it that he thinks even less? Rather, I suppose, in that he feels more; in that his moment of intuition, though fleeting, has a vision, a scope, a symbolic something about it that renders it deep and expressive. Intensity, even momentary intensity, if it can be expressed at all, comports fullness and suggestion compressed into that intense moment. Yes, ev...
Scepticism and Animal Faith (1923) is a later work by Spanish-born American philosopher George Santayana. He intended it to be "merely the introduction to a new system of philosophy," a work that would later be called The Realms of Being, which constitutes the bulk of his philosophy, along with The Life of Reason.Scepticism is Santayana's major treatise on epistemology; after its publication, he wrote no more on the topic. His preface begins humbly, with Santayana saying:" Here is one more system of philosophy. If the reader is tempted to smile, I can assure him that I smile with him...I am merely trying to express for the reader the principles to which he appeals when he smiles. "Moreover, he does not claim philosophical supremacy:" I do not ask anyone to think in my terms if he prefers others. Let him clean better, if he can, the windows of his soul, that the variety and beauty of the prospect may spread more brightly before him. "While Santayana acknowledges the importance of skepticism to philosophy, and begins by doubting almost everything; from here, he seeks to find some kind of epistemological truths. Idealism is correct, claims Santayana, but is of no consequence. He makes this pragmatic claim by asserting that men do not live by the principles of idealism, even if it is true. We have functioned for eons without adhering to such principles, and may continue, pragmatically, as such. He posits the necessity of the eponymous "Animal Faith", which is belief in that which our senses tell us; "Philosophy begins in medias res", he assures us at the beginning of his treatise. (wikipedia.org)
This book has been deemed as a classic and has stood the test of time. The book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations.
'Character and Opinion in the United States' is his comprehensive critique of American thought and civilization and reflects the detached cosmopolitan perspective that lent his criticism its characteristic objectivity and strength. Santayana's subject here is the conflict of materialism and idealism in American life.
This book brings together two seminal works by George Santayana, one of the most significant philosophers of the twentieth century: Character and Opinion in the United States, which stands with Tocquevilles Democracy in America as one the most insightful works of American cultural criticism ever written, and The Genteel Tradition in American Philosophy, a landmark text of both philosophical analysis and cultural criticism.An introduction by James Seaton situates Santayana in the intellectual and cultural context of his own time. Four additional essays include John Lachs onthe ways Santayanas understanding of the soul of America help explain the relative peace among nationalities and ethnic groups in the United States; Wilfred M. McClay on Santayanas life of the mind as it relates to dominant trends in American culture; Roger Kimball on Santayanas most uncommon benefice, common sense; and James Seaton on Santayanas distinction between English liberty and fierce liberty. All the essays serve to highlight the relevance of Santayanas ideas to current issues in American culture, including education, immigration, and civil rights.
Originally published in 1933, this book contains five philosophical essays by the famous philosopher and essayist George Santayana. The topics cover both older philosophy, such as those of Locke, as well as philosophy's relationship to newer discoveries, such as the theory of relativity.
This early work by the great American philosopher, George Santayana discusses the subject of beauty. He argues that beauty is the clearest manifestation of perfection, and the best evidence of its possibility.
A collection of recent essays from the American philosopher and Chair of the Santayana Society. The subjects discussed include the philosophy of travel, the politics of religion, friendship, appearance and reality, and the false steps of philosophy.
This astonishing volume shows how the potential beauty latent in all sorts of worldly artifacts and events are rooted in differing forms of power and dominion. The work is divided into three major parts: the generative order of society, the militant order of society, and the rational order of society
This 1968 two-volume selection of George Santayana's (1863-1952) writing is exceptionally comprehensive; the editor has been careful to provide passages which adequately illustrate Santayana's views on a wide variety of subjects and his selection includes essays and excerpts from books that had long been unavailable.
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