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The American artist's sophisticated, darkly humorous works get their first major exhibition in the Middle East, curated by Germano Celant.
This book, which Germano Celant had been working on for years, is published posthumously and represents the professional and spiritual testament of the curator, known and respected internationally. Text in English and Italian.
The reissue of a historical exhibition catalogue and a new interview retrace important art relations between Italy and America after World War II
Italian postwar artist Nuvolo (1926-2008) extended the two-dimensional rectangular format of painting with commonplace textiles and materials such as deerskin. With works produced between 1952 and 1965, this book contextualizes his work.
Arman was a US-naturalised French painter. This book covers the first twenty years of Arman's artistic production.
Revealing the human dimension of Bures' jewels, and containing insights into the practices of a jewellery "maverick", whose work is equally visual and emotional.
This book on Virginia Dwan and her galleries in Los Angeles and New York tells for the first time the unique story of a fundamental actor on the global art scene, which has rarely been explored.
Jan Fabre's multi-faceted oeuvre, in a richly-illustrated volume including all his work from the start of his career to the present.
Emilio Vedova's artistic career began in Venice in the mid-1930s. He immediately felt the deep allure of grand Venetian painting and sculpture and, guided by the restless agitation and dynamic mobility of the baroque, was soon plunged into total and extreme three-dimensional involvement. This title presents the sculptural journey of this master.
Beauty, lifes triumph, is fleeting. It heightens the bodys sublime aspect, but beneath its effigy lies the spectre of passing time, and so the figure beauty has within it the spectre of decay. In this work, the author challenges himself by confronting one of the deepest philosophical and literary themes.
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