Books by Gertrude Franklin Horn Atherton

The Third Ghost Story MEGAPACK® selects 26 more choice hauntings for your reading pleasure. Included this time are:THE DEAD AND THE COUNTESS, by Gertrude AthertonTHE CEDAR CLOSET, by Lafcadio HearnTHE WRAITH OF BARNJUM, by F. AnsteyTHE JOLLY CORNER, by Henry JamesTHE ROLL-CALL OF THE REEF, by A. T. Quiller-CouchTHE BOWMEN, by Arthur MachenOMAN, By Leopold KompertTHE MIDDLE TOE OF THE RIGHT FOOT, by Ambrose BierceTHE TOLL-HOUSE, by W.W. JacobsTHE HAUNTED COVE, by Sir George DouglasTHE GHOST OF LORD CLARENCEUX, by Arnold BennettTHE HAUNTED AUTOMATON, by W. C. MorrowTHE GHOSTS AT GRANTLEY, by Leonard KipTHE SPECTRE COOK OF BANGLETOP, by John Kendrick BangsTHE SUPERSTITIOUS MAN'S STORY, by Thomas HardyTHE SPECTRE BRIDEGROOM, by William HuntTHE SPECTRE IN THE CART, by Thomas Nelson PageTHE TALE OF THE PORCELAIN-GOD, by Lafcadio HearnTHE BELL IN THE FOG, by Gertrude AthertonTHE HAUNTING OF WHITE GATES, by G. M. RobinsTHE SHADOW ON THE BLIND, by Mrs. Alfred (Louisa) BaldwinNO. 5 BRANCH LINE: THE ENGINEER, by Amelia Ann Blanford EdwardsTHE SHADOW IN THE CORNER, by Mary Elizabeth BraddonTHE SECRET CHAMBER, by Margaret OliphantTHE UPPER BERTH, by F. Marion CrawfordMR. GRAY'S STRANGE STORY, by Louisa MurrayAnd don't forget to search this ebook store for "Wildside Megapack" to see more than 350 more entries in this great ebook series, covering everything from science fiction and fantasy to classic literature and pulp fiction, from mysteries and westerns to children's literature -- and much, much more!

Black Oxen is novel about an aging woman who miraculously becomes young again after glandular therapy. It was later adapted into the well known movie. The title of the story comes from William Butler Yeats''s play "The Countess Cathleen". Fans of Oscar Wilde''s "A Portrait of the Artist as a Young Man" will find this an intriguing read as well! Excerpt: "In spite of its smooth white skin and rounded contours above an undamaged throat, it was, subtly, not a young face. The mouth, rather large, although fresh and red (possibly they had lip sticks in Europe that approximated nature) had none of the girl''s soft flexibility. It was full in the center and the red of the underlip was more than a visible line, but it was straight at the corners, ending in an almost abrupt sternness. Once she smiled, but it was little more than an amused flicker; the mouth did not relax. The shape of the face bore out the promise of the head, but deflected from its oval at the chin, which was almost square, and indented."