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At the centre of Petrarch's vision, announcing a new way of seeing the world, was the individual, a sense of the self. This self seemed to be fragmented in Petrarch's work, divided among the worlds of philosophy, faith, and love of the classics, politics, art, and religion. This book shows how these fragmentary explorations relate to each other.
Mazzotta traces how major medieval and Renaissance thinkers invented their worlds through utopias, magic, science, art, and theatre and calls for the necessity to study the Renaissance in terms of the ongoing conversation of the arts and sciences.
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