Books by Greil Marcus

A funny, fierce, and uninhibited musical chronicle of the convulsive past six years, from one of our finest cultural critics

A new edition of this classic of rock journalism that first asked the question: What one album would you bring to a desert island, and why?

Greil Marcus delves into three distinct episodes in the history of American commonplace song and shows how each one manages to convey the uncanny sense that it was written by no one. In these seemingly anonymous productions, we discover three different ways of talking about the United States, and three separate nations within its borders.

For nearly thirty years, Greil Marcus has written a remarkable column called "e;Real Life Rock Top Ten."e; It has been a laboratory where he has fearlessly explored and wittily dissected an enormous variety of cultural artifacts, from songs to books to movies to advertisements. Taken together, his musings, reflections, and sallies amount to a subtle and implicit theory of how cultural objects fall through time and circumstance and often deliver unintended consequences, both in the present and in the future. Real Life Rock reveals the critic in full: direct, erudite, funny, fierce, vivid, uninhibited, and possessing an unerring instinct for art and fraud. The result is an indispensable volume packed with startling arguments and casual brilliance.

One of our finest critics gives us an altogether original history of rock 'n' roll

Listening in on public conversation that recreates Elvis after death, Marcus tracks Presley's resurrection. He grafts together snatches of film, music, books, newspapers, photos, posters, and cartoons, and amazes us with what America has been saying as it raises its late king-and also what this obsession with dead Elvis says about America itself.

'Van Morrison,' says Greil Marcus, 'remains a singer who can be compared to no other in the history of modern popular music.' When Astral Weeks was released in 1968, it was largely ignored. When it was re-released as a live album in 2009 it reached the top of the Billboard charts, a first for any Van Morrison recording. The wild swings in the music, mirroring the swings in Morrison's success and in people's appreciation (or lack of it) of his music, make Van Morrison one of the most perplexing and mysterious figures in popular modern music, and a perfect subject for the wise and insightful scrutiny of Greil Marcus, one of America's most dedicated cultural critics. This book is Marcus's quest to understand Van Morrison's particular genius through the extraordinary and unclassifiable moments in his long career, beginning in 1965 and continuing in full force to this day. In these dislocations Marcus finds the singer on his own artistic quest precisely to reach some extreme musical threshold, the moments that are not enclosed by the will or the intention of the performer but which somehow emerge at the limits of the musician and his song.

Greil Marcus's study of American rock and roll is universally acclaimed as the benchmark work of modern rock criticism. Using a handful of artists - a brace of bluesmen, The Band, Sly Stone, Randy Newman and Elvis Presley - Marcus illuminates and interprets the American Dream in rigorous prose touching on the myth, landscape and oral tradition of the continent. This comprehensive, revised edition of a milestone achievement in the effort to establish rock and roll as a fit subject for serious cultural criticism, includes a new preface by the author.

His foremost interpreter revisits more than forty years of listening to Dylan - weaving individual moods and moments into a brilliant history of their changing times.The book begins in Berkeley in 1968, and ends with a piece on Dylan's show at the University of Minnesota on election night 2008. In between are moments of euphoric discovery: from Marcus' sleeve notes for the 1967 Basement Tapesto his exploration of Dylan's reimagining of the American experience in 1997's Time Out of Mind. And rejection; Marcus's Rolling Stonepiece on Dylan's album Self Portrait-- often referred to as the most famous record review ever written -- began with 'What is this shit?' and led to his departure from the magazine for five years. Marcus follows not only recordings but performances. books, movies, and all manner of highways and byways in which Bob Dylan has made himself felt in our culture.Together, the dozens of pieces collected here comprise a portrait of how, throughout his career, Bob Dylan has drawn upon and reinvented the landscape of American song, its myths and choruses, heroes and villains. They are the result of more than forty years' engagement between an unparalleled artist and a uniquely acute listener.

Was punk just another moment in music history? Marcus delves into the after-life of punk as a richer phenomenon-a form of artistic and social rebellion that continually erupts into popular culture. In more than 70 short pieces, he traces the uncompromising strands of punk from Johnny Rotten to Elvis Costello, Sonic Youth, even Bruce Springsteen.