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In Resisting Allegory, the leading Spenser critic of our time sums up a lifelong commitment to the theory and practice of textual interpretation. Central to this volume is an attention to the deployment of gender in conjunction with the Berger's notion of narrative complicity, all built on close attention to the text.
Figures of a Changing World develops an account of culture change that is based on the distinction between the two rhetorical figures of metaphor and metonymy. These figures are applied both to the large-scale interpretation of tensions in culture change and to the micro-interpretation of tensions within particular texts.
A study of the theory and practice of seventeenth-century Dutch group portraits, this title offers an account of the genre's comic and ironic features, which it treats as comments on the social context of portrait sitters who are husbands and householders as well as members of civic and proto-military organizations.
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