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The Musical Discourse of Servitude presents a new theory of how the late baroque musical imagination developed by comparing the compositions of Johann Joseph Fux, J. S. Bach, and G. F. Handel.
This new reading of Irish literature identifies, for the first time, the formative influence of music in Irish writing over the past 200 years. Although this influence has long been acknowledged in studies of Shaw and Joyce, White explores music as an abiding preoccupation in the work of Moore, Yeats, Synge, Shaw, Joyce, Beckett, Friel, and Heaney.
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