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Originally published in 1954, in the Cambridge Plain Texts series, this volume contains a selection of Heinrich Heine's late poems. The text is presented in German with a short editorial introduction and bibliography in English. This book will be of value to anyone with an interest in Heine and nineteenth-century German literature.
'One of the first men of this century' is how Heine described himself when he claimed to have been born in the early hours of 1800. It was typical of Heine to create this humorous doubt - he was in fact born in 1797. He was a restless and homeless poet, a Jew among Germans, a German in Paris, a rebel among the bourgeoisie and always, as his famous doppelg nger poems show, a man divided against himself. This selection, with the German originals accompanied by English prose translations, provides the perfect introduction to Heine. He can be magnificent as an acute, irreverent commentator on politics and current events, though his genius most often strikes home in the poems filled with despair, or sensuality, or sweetness, or self-mockery, in which he draws out the whole gamut of emotions provoked by love and immanent death.
Gathers lyric poems, satire, and essays about the German countryside and literature, by the nineteenth-century romantic poet.
A poet whose verse inspired music by Schubert, Schumann, Mendelssohn and Brahms, Heinrich Heine (1797-1856) was in his lifetime equally admired for his elegant prose. This collection charts the development of that prose, beginning with three meditative works from the Travel Pictures, inspired by Heine's journeys as a young man to Lucca, Venice and the Harz Mountains. Exploring the development of spirituality, the later On the History of Religion and Philosophy in Germany spans the earliest religious beliefs of the Germanic people to the philosophy of Hegel, and warns with startling force of the dangers of yielding to 'primeval Germanic paganism'. Finally, the Memoirs consider Heine's Jewish heritage and describe his early childhood. As rich in humour, satire, lyricism and anger as his greatest poems, together the pieces offer a fascinating insight into a brilliant and prophetic mind.
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