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Since the publication of The Woman Warrior in 1976, Maxine Hong Kingston has gained a reputation as one of the most popular -- and controversial -- writers in the Asian American literary tradition. Grice traces Kingston's development as a writer and cultural activist to both ethnic and feminist discourses.
Examines the American cultural and literary preoccupation with Asia, exploring the corresponding historical-political situations - including China's Cultural Revolution and Japanese geisha culture - that have both circumscribed and enabled greater cultural and political contact between Asia and America.
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