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Dazzling, daring and full of original insight and wit, Henry Green offers a unique view of a class-ridden Britain enduring both war and its aftermath.
Satirizing the tedium of upper-middle-class life in post-war London, this novel depicts a world in which substance is far less important to anyone than appearance. The question asked throughout the text concerns the differences between doting and loving.
A novel about working-class factory life in Birmingham. Lily Gates keeps house for her widowed father, her timid suitor, Jim, and the patriarch, Craighan, whose house it is. The household slides into disarray as Lily, tempted by the possibility of a more romantic life, elopes with a bolder suitor.
TAYLORThese three brilliant novels span Henry Green's career as a novelist and display his unique talents as a writer. In Blindness, Green's first novel, a young man is blinded in a senseless accident but thereafter discovers new imaginative powers.
When the war breaks out, Rose, a well-to-do widower with a young son, Christopher, volunteers for the Auxiliary Fire Service in London, and is trained under a professional fire officer, Pye.
Birt teaches in the state institution for girls run by two authoritarian spinsters, the inseparable Misses Edge and Baker. One sunny summer's morning, the morning of the Founders' Day Ball, as Mr Rock goes up to the school to fetch his pig-swill for Daisy, it is discovered that two of the girls have gone missing in the night.
Loving explored class distinctions through the medium of love and brilliantly contrasts the lives of servants and masters in an Irish castle during World War Two, Living of workers and owners in a Birmingham iron foundry.
The uncollected writings of the author of "Living", "Loving", "Caught", "Nothing" and "Blindness".
Back is, according to Jeremy Treglown in his introduction, "Henry Green's most extended attempt to plumb the world of the hunted - and haunted". First published in 1946, it has indeed remained one of Green's most haunting, elegiac novels and one of the most enduring to have focused on the individual human tragedy of the war.
One of his most admired works, LOVING describes life above and below stairs in an Irish country house during the Second World War. In the absence of their employers the Tennants, the servants enact their own battles and conflict amid rumours about the war in Europe;
Henry Green wrote his autobiography in 1940, aged only thirty-five, because he was convinced he wouldn't survive the war.
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