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The plot of this novel revolves around the feminist movement in Boston in the 1870s. F.R. Leavis called it one of "the two most brilliant novels in the language. "The novel's many allusions to the historical and social background of Boston society are explained in the editorial material.
Fills a crucial gap in modern literary studies by presenting in a scholarly edition the complete letters of one of the great novelists and letter writers of the English language. Comprising more than ten thousand letters reflecting on a remarkably wide range of topics, this edition is an indispensable resource for students of James and of American and English literature, culture, and criticism.
A wealthy American man of business descends on Europe in search of a wife to make his fortune complete. His bid for Claire de Cintr'e hand receives an icy welcome from the heads of her aristocratic family. Can they stomach his manners for the sake of his dollars? Out of this classic collision between the old world and the new, James weaves a fable of thwarted desire that shifts between comedy, tragedy, romance and melodrama a fable which in the later version printed here takes on some of the subtleties associated with this greatest novels.
A rich American art-collector and his daughter Maggie buy in for themselves and to their greater glory a beautiful young wife and a noble husband. They do not know that Charlotte and Prince Amerigo were formerly lovers, nor that on the eve of the Prince's marriage they had discovered, in a Bloomsbury antique shop, a golden bowl with a secret flaw. When the golden bowl is broken, Maggie must leave the security of her childhood and try to reassemble the pieces of hershattered happiness. In this, the last of his three great poetic masterpieces, James combined with a dazzling virtuosity elements of social comedy, of mystery, terror, and myth. The Golden Bowl is the most controversial, ambiguous, and sophisticated of James's novels.
This volume includes "Daisy Miller", "Pandora", "The Patagonia", and "Four Meetings".
Isabel Archer's main aim in life is to protect her independence. She is not interested in settling down and compromising her freedom for the sake of marriage. But, on a trip around Europe, she finds herself captivated by the charming Gilbert Osmond, who is very interested in the idea of adding Isabel to his collection of beautiful artworks.
With an Introduction and Notes by Martin Scofield, University of Kent at Canterbury.Henry James was arguably the greatest practitioner of what has been called the psychological ghost story. His stories explore the region which lies between the supernatural or straightforwardly marvellous and the darker areas of the human psyche. This edition includes all ten of his ghost stories, and as such is the fullest collection currently available.The stories range widely in tone and type. They include 'The Jolly Corner', a compelling story of psychological doubling; 'Owen Wingrave', which is also a subtle parable of military tradition; 'The Friends of the Friends', a strange story of uncanny love; and 'The Private Life', which finds a shrewd, high comedy in its ghostly theme.The volume also includes James's great novella The Turn of the Screw, perhaps the most ambiguous and disturbing ghost story ever written.
Standing on the shore of Lake Geneva, young writer Frederick Winterbourne is drawn to Daisy Miller. As disdain about her recklessness with men resonates around the aristocratic circles, he continues to defend her, but at what cost? As an intriguing tale of passion and romance unfolds, he is confronted with a tragedy that will haunt him forever.
When timid and plain Catherine Sloper acquires a dashing and determined suitor, her father, convinced that the young man is nothing more than a fortune-hunter, decides to put a stop to their romance. Torn between her desire to win her father s love and approval and her passion for the first man who has ever declared his love for her, Catherine faces an agonising dilemma, and becomes all too aware of the restrictions that others seek to place on her freedom. James s masterly novel deftly interweaves the public and private faces of nineteenth-century New York society; it is also a deeply moving study of innocence destroyed.
Concerned that her son Chad may have become involved with a woman of dubious reputation, the formidable Mrs Newsome sends her 'ambassador' Strether from Massachusetts to Paris to extricate him. Strether's mission, however, is gradually undermined as he falls under the spell of the city and finds Chad refined rather than corrupted by its influence and that of his charming companion, the comtesse de Vionnet. As the summer wears on, Mrs Newsome comes to the conclusion that she must send another envoy to Paris to confront the errant Chad, and a Strether whose view of the world has changed profoundly. James's favourite novel and one of the greatest of his late works, The Ambassadors is a subtle and often witty exploration of different American responses to a European environment.
This story of the alliance between Italian aristocracy and American millionaires is "e;a work unique among all [James's] novels: it is [his] only novel in which things come out right for his characters ...he had finally resolved the questions, curious and passionate, that had kept him at his desk on his inquiries into the process of living. He could now make his peace with America and he could now collect and unify the work of a lifetime."e; Leon Edel in The Life of Henry James
The child of violently divorced parents, Maisie Farange opens her eyes on a distinctly modern world. Mothers and fathers keep changing their partners and names, while she herself becomes the pretext for all sorts of adult sexual intrigue. The novel traces the course of her education and ends with the death of her childhood. It is one of James's finest studies of lost innocence.
Beautiful Kate Croy may have been left penniless by her relatives, but her bold, ambitious nature ensures she will not succumb meekly to a life of poverty. If the financial circumstances of Merton Densher, the man she is passionately in love with, are not sufficient to secure her future, perhaps her cunning will. So when Milly Theale arrives in Europe from America, laden with wealth but also gravely ill, Kate sees an opportunity to exploit her vulnerability and devises a plan that will see her and Merton financially provided for. Her scheming is flawed though, for it fails to take into account the inconstancies of the human heart.John Bayley's introduction examines the novel in the context of James's other late, great works.
A young, inexperienced governess is charged with the care of Miles and Flora, two small children abandoned by their uncle at his grand country house. She sees the figure of an unknown man on the tower and his face at the window. It is Peter Quint, the master's dissolute valet, and he has come for little Miles. But Peter Quint is dead. Like the other tales collected here - `Sir Edmund Orme', `Owen Wingrave', and `The Friends of the Friends' - `The Turn of the Screw' is to all immediate appearances a ghost story. But are the appearances what they seem? Is what appears to the governess a ghost or a hallucination? Who else sees what she sees? The reader may wonder whether the children are victims of corruption from beyond the grave, or victims of the governess's `infernal imagination', which torments but also entrals her? `The Turn of the Screw' is probably the most famous, certainly the most eerily equivocal, of all ghostly tales. Is it a subtle, self-conscious exploration of the haunted house of Victorian culture, filled with echoes of sexual and social unease? Or is it simply, `the most hopelessly evil story that we have ever read'? The texts are those of the New York Edition, with a new Introduction and Notes.
Classic / British EnglishA young woman comes to a big house to teach two young children. Its her first job and she wants to do it well. But she begins to see strange things the ghosts of dead people. Do the ghosts want the children?
*The inspiration behind Netflix's The Haunting of Bly Manor*Discover Henry James's most famous and terrifying story in an edition which also includes a unique selection of his best loved ghost stories. A young governess is sent to a great country house to care for two orphaned children.
Dr Sloper is disappointed in his dull daughter, Catherine, a mediocre replacement for his beautiful and intelligent wife who died soon after childbirth. Yet, as Sloper threatens, beguiles and dictates to his daughter, he discovers in Catherine a pale reflection of his own obdurate character.
Volume 1 Covers the period from 1866 to 1891, the years in which James was evolving and perfecting his art as a storyteller.
A collection of eighteen articles by Henry James on the social and political issues of his day. This title deals with British imperial politics and crises in the Balkans, Afghanistan, and South Africa. It focuses on questions of gender and manners and complements the work resulting from James' 1904-5 tour of the United States.
'You must paint her just like that ... as the Tragic Muse' Suggests one of James's characters to Nick Dormer, the young Englishman who, during the course of the novel, will courageously resist the glittering Parliamentary career desired for him by his family, in order to paint. His progress is counterpointed by the 'Tragic Muse' of the title, Miriam Rooth, one of James's most fierily beautiful creations, a great actress indifferent to social reputation, and triumphantly dedicated to her art. In portraying the conflict between art and 'the world' which is his novel's central idea, James engaged obliquely with current debates on the new aestheticism of Pater and Wilde and on the nature of the actor's performance. Through the living complexity of his protagonists he reveals how much, as Philip Horne puts it, 'to take art seriously as an end in itself ... is still a provocative course'.
One of Henry James's most mesmerizing and unusual novels, The Sacred Fount (1901) has for its scene a weekend party at the great English country house Newmarch. Here James leads the reader down a bizarre garden path. The Sacred Fount--his only novel to employ a first-person narrator--places us in the hands of an obsessive novelist (never named and never described, but perhaps familiar), who detects alarming changes in his acquaintances. A woman known for her élan has lost her poise, a dull man is charming; a friend is suddenly aged, a plain woman sparkles. Where one improves, another seems to suffer. With "plunges of insight," "as noiseless and guarded as if I were trapping a bird," the narrator stalks his fellow guests through the weekend, avidly trying to make sense of what he comes to believe are actual exchanges of life force. "The sacred fount," as R.P. Blackmur noted, "is the mystery of the power that passes among us, depleting or restoring us, in friendship, in love, even in more public relations .... [Here] is the beautiful, the critical job of making that mystery manifest."
The talented and beautiful Isabel Archer, courted by several suitors and enriched by her dying uncle, chooses to marry the cold and ambitious Gilbert Osmond. The heroine soon discovers to her cost that freedom of choice is never what it seems.
Nine of James's most important tales, including (new to the second edition) "In the Cage," a tale that engages James's complicated attitudes toward gender, class, and the rise of information technology.
Published in 1886, The Bostonians begins with the arrival in Boston of Basil Ransom, a young Mississippi lawyer in search of a career. Through his cousin, Olive Chancellor, Ransom comes to meet Verena, the beautiful daughter of a charlatan faith-healer and showman. When they hear Verena talk, Olive hopes to win the girl over to the feminist cause, Ransom is attracted to her looks, and a battle for possession of the girl begins.With its discussion of the situation of women and its uncompromising depiction of the city and the media, THE BOSTONIANS is a modern novel which is immediately accessible and relevant today.
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